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Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish.

Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity’s recollection of the night her family was forever altered.

Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

It’s official: Zoey Marks is the cursed bridesmaid that no engagement can survive. Ten years, three empire waist dresses, and ZERO brides have walked down the aisle.

After strike three, Zoey is left wondering if her own ambivalence towards marriage has rubbed off on those she loves. And when her building distrust of matrimony culminates in turning down a proposal from her perfect All-American boyfriend, Rylan Harper III, she and Rylan are both left heartbroken, leaving Zoey to wonder: what is it exactly about tying the knot that makes her want to run in the opposite direction?

Enter Hannah Green: Zoey’s best friend, who announces that she’s marrying a guy she just met (cue eye roll). At a castle. In gorgeous, romantic Ireland, where Rylan will be in attendance, and Zoey will be a bridesmaid. It’ll be fine.

Okay, the woman definition of fine (NOT FINE).

Determined to turn her luck around, Zoey accepts her role and vows to get Hannah down the aisle―all the while praying her best friend’s wedded bliss will allow her to embrace marriage and get Rylan back.

But as the weekend goes on, Zoey is plagued with more questions than answers. Can you be a free spirit, yet still want a certain future? Can you have love and be loved on your terms? And how DO you wrangle a bossy falcon into doing your bidding?

In 1956, toward the end of Reverend John Ames’s life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He “preached men into the Civil War,” then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle.

Reverend Ames writes to his son about the tension between his father–an ardent pacifist–and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friend’s wayward son.

This is also the tale of another remarkable vision–not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames’s soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten.