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“Homecoming” takes us back to Ford County, the fictional setting of many of John Grisham’s unforgettable stories. Jake Brigance is back, but he’s not in the courtroom. He’s called upon to help an old friend, Mack Stafford, a former lawyer in Clanton, who three years earlier became a local legend when he stole money from his clients, divorced his wife, filed for bankruptcy, and left his family in the middle of the night, never to be heard from again—until now. Now Mack is back, and he’s leaning on his old pals, Jake and Harry Rex, to help him return. His homecoming does not go as planned.

In “Strawberry Moon,” we meet Cody Wallace, a young death row inmate only three hours away from execution. His lawyers can’t save him, the courts slam the door, and the governor says no to a last-minute request for clemency. As the clock winds down, Cody has one final request.

The “Sparring Partners” are the Malloy brothers, Kirk and Rusty, two successful young lawyers who inherited a once prosperous firm when its founder, their father, was sent to prison. Kirk and Rusty loathe each other, and speak to each other only when necessary. As the firm disintegrates, the resulting fiasco falls into the lap of Diantha Bradshaw, the only person the partners trust. Can she save the Malloys, or does she take a stand for the first time in her career and try to save herself?

By turns suspenseful, hilarious, powerful, and moving, these are three of the greatest stories John Grisham has ever told.

Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Love’s about to take flight.

Feeling stuck at work and tired of London’s dreary weather, magazine writer Dylan Coughlan impulsively rings a radio station one day only to win a once-in-a-lifetime trip around the world. The catch? Her travel partner must be a contact randomly selected on her phone. And of course this stressful game of contact roulette lands on a number listed only as Jack the Posho, an uptight, unbearably posh guy she met on a night out and accidentally ghosted.

The two couldn’t be more different, and as the trip kicks off, Jack seems like he’d sooner fling himself into the sun than have a conversation with Dylan. But more is hinging on this trip than the chance to see the world. For the past two years, Dylan’s been relegated to writing quizzes (and only quizzes) at her lifestyle magazine after an article about her past abortion went viral—and not in the good way. If she’s able to make a series about their trip successful, her overbearing boss will give her a chance at a permanent column. Dylan’s willing to do anything to make the series a hit, even if it means embellishing her and Jack’s relationship to satisfy readers. But as the column’s popularity grows, so does the bond between Dylan and Jack, and Dylan is forced to consider if the one thing she thought she always wanted is worth the price she’ll have to pay to get there.