Shop

It’s 1958 and Evelyn Elizabeth Grace Murphy has not left the Pinnacle Hotel in fourteen months. She suffers from agoraphobia, and what’s more, it’s her father’s hotel, and everything she needs is there. Evelyn’s always been good at finding things, she discovered her mother dead in a Manhattan alleyway fifteen years earlier. Now she’s finding trouble inside her sanctuary. At a party for artist Billie Bell, his newest work is stolen, and Evelyn’s fake boyfriend (and real best friend), movie star Henry Fox, is accused of the theft. But just as Evelyn sets out to prove Henry’s innocence, she finds Billie Bell dead.

The murder weapon links the crime to the hotel’s chief of security. But why would he use a knife with his initials on the handle? With her beloved home in disarray, Evelyn joins up with hotel employee (and her secret crush) Mac Cooper to get to the bottom of the case.

As Mac picks locks and Evelyn snoops around the hotel, they discover the walls around them contain more secrets than they previously knew. Now, Evelyn must force herself to leave the hotel to follow the clues—but when she and Mac set off to chase a lead, their car crashes and they barely escape with their lives. Someone snipped Evelyn’s brake lines, and now the stakes have become dangerously high.

Evelyn’s knack for sleuthing—and her playful imagination—are always hard at work, and she throws an elaborate party at the hotel where every guest is a suspect. But will the killer emerge from the glamorous lineup? If not, Evelyn just might find herself…next in line for murder.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.

Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?

As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance.

Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.

An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.
After receiving a frantic letter from her newlywed cousin, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. Noemí is an unlikely rescuer: She’s a glamorous debutante, more suited for cocktail parties than amateur sleuthing. But she’s also tough, smart, and not afraid: not of her cousin’s new English husband, a stranger who is both menacing and alluring; not of his father, the ancient patriarch who seems fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom.

Noemi’s only ally in this inhospitable place is the family’s youngest son. But he too may be hiding a dark secret. As Noemí begins to unearth stories of violence and madness, she is slowly drawn into a terrifying yet seductive world–a world that may be impossible to escape.