Shop

Hallie Piper is turning over a new leaf. After belly-crawling out of a hotel room (hello, rock bottom), she decides it’s time to become a full-on adult. She gets a new apartment, a new haircut, and a new wardrobe, but when she logs onto the dating app that she has determined will find her new love, she sees none other than Jack, the guy whose room she snuck out of.

After agreeing they are absolutely not interested in each other, Jack and Hallie realize they’re each other’s perfect wing-person in their searches for The One. They text each other about their dates, often scheduling them at the same restaurant so that if things don’t go well, the two of them can get tacos afterward.

Spoiler: they get a lot of tacos together.

Discouraged by the lack of prospects, Jack and Hallie make a wager to see who can find true love first, but when they agree to be fake dates for a weekend wedding, all bets are off. As they pretend to be a couple, lines become blurred and they both struggle to remember why the other was a bad idea to begin with.

Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist, and a gatherer of literary communities. Before his tragic death in 2019 at the age of forty-eight, he won the Caine Prize for African Writing and was named one of Time’s 100 Most Influential People. His wildly popular essay “How to Write About Africa,” an incisive and unapologetic piece that exposed the harmfully racist ways Western media depicts Africa, with implicit bias and subjective clichés, changed the game for African writers and helped set the stage for a new generation of authors, from Chimamanda Ngozi Adichie to Yaa Gyasi.

When Wainaina published a “lost chapter” of his 2011 memoir as an essay called “I Am a Homosexual, Mum,” in which he imagines coming out to his mother, he became a voice for the queer, African community as well, adding a new layer to how African sexuality is perceived.

How to Write About Africa celebrates this legacy in a collection of imaginative essays and short fiction about sexuality, art, history, and contemporary Africa. Wainaina’s writing is playful, robust, generous and full-bodied. He describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of a country and continent. These works present a portrait of a giant in African literature, who left a tremendous legacy.