In the 1980s in Lagos, the government’s War Against Indiscipline and austerity measures are in full swing. A succession of unfortunate events leads Tolani, a bank secretary, to be persuaded by her roommate Rose to consider drug trafficking as a way to make a living. Tolani’s subsequent struggle with temptation forces her to reconsider her morality—and that of her mother Arike’s—as she embarks on a turbulent journey of self-discovery.
The world’s greatest bodybuilder. The world’s highest-paid movie star. The leader of the world’s sixth-largest economy. That these are the same person sounds like the setup to a joke, but this is no joke. This is Arnold Schwarzenegger. And this did not happen by accident.
Arnold’s stratospheric success happened as part of a process. As the result of clear vision, big thinking, hard work, direct communication, resilient problem-solving, open-minded curiosity, and a commitment to giving back. All of it guided by the one lesson Arnold’s father hammered into him above all: be useful. As Arnold conquered every realm he entered, he kept his father’s adage close to his heart.
Written with his uniquely earnest, blunt, powerful voice, Be Useful takes readers on an inspirational tour through Arnold’s tool kit for a meaningful life. He shows us how to put those tools to work, in service of whatever fulfilling future we can dream up for ourselves. He brings his insights to vivid life with compelling personal stories, life-changing successes and life-threatening failures alike—some of them famous; some told here for the first time ever.
Too many of us struggle to disconnect from our self-pity and connect to our purpose. At an early age, Arnold forged the mental tools to build the ladder out of the poverty and narrow-mindedness of his rural Austrian hometown, tools he used to add rung after rung from there. Now he shares that wisdom with all of us. As he puts it, no one is going to come rescue you—you only have yourself. The good news, it turns out, is that you are all you need.
Our narrator is the youngest student at the Conservatory. She produces a sound from the piano no one else does, employing a special technique she learned from her parents—also stunningly talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future as a pianist and accepts a job at a high-end beauty and wellness store in New York City.
Holistik is known for its remarkable products and outrageous procedures: remoras that suck cheap Botox from the body, eyelash extensions made of spider silk, emotional support ducklings bred to imprint on their owners. Every product is ethically sourced and made with nothing but the highest quality ingredients. Our narrator’s new job is a coveted one among New York’s beauty-obsessed, and it affords her entry into a new world of privilege. She becomes transfixed by Helen—a model, and the niece of Holistik’s charismatic owner—and the two strike up a close friendship that hazily veers into more. All the while, Holistik plies our narrator with products that slim her thighs, smooth her skin, lighten her hair, and change her eye color. But beneath these fancy creams and tinctures lies a terrible truth that threatens to consume her. After all, beauty is nothing without ugliness.
NATURAL BEAUTY is a piercing, terrifying, and darkly funny debut that eviscerates the beauty and wellness industry, exploring questions of consumerism, self-worth, race, and identity. This propulsive novel takes a world that feels familiar and pushes it to a conclusion that at first might seem jarring, but when we inch closer, settles on us as truth.
The world’s most powerful CEOs never saw it coming. In 2018, after a decade-long bull market, the CEO of American Airlines declared, “I don’t think we’re ever going to lose money again.” The U.S. entered March 2020 riding an eleven-year economic high, with unemployment at record lows, the Dow Jones flirting with 30,000, and the good times certain to continue. By the end of the month, ten million people were out of work, iconic firms were begging for bailouts, and countless small businesses were in freefall. Slick consulting teams and country-club connections were suddenly of little use: CEOs were fumbling in the dark, tossing out long-term strategy and making decisions on the fly that, they hoped, might just save them.
In Crash Landing, Liz Hoffman shows how the pandemic set the economy on fire—but if you look closely, the tinder was already there. After 2008, corporate leaders had embraced cheap debt and growth at all costs. Wages went stagnant. Millions were pushed into the gig economy. Companies crammed workers into offices, and airlines did the same with planes. Wall Street cheered on this relentless march toward efficiency, overlooking its collateral damage.
Based on access to an astonishing array of business titans, Crash Landing is Liz Hoffman’s account of the most remarkable year in modern economic history. She takes readers into the beating heart of the twenty-first-century economy, revealing how the pandemic exposed its pressure points. Bankruptcies decimate retail. Banking and pharma rivals team up. Bleeding cash, airlines like Delta weigh safety against survival. An untested White House fumbles for the 2008 playbook. There’s Goldman Sachs’s David Solomon blindsided by a virus in the middle of a high-stakes reinvention; American Airlines’s Doug Parker, shuttling between K Street and the White House, determined to secure a multi-billion-dollar bailout; and Ford’s Jim Hackett, gambling on the switch from cars to ventilators.
In Crash Landing, Hoffman probes the pandemic’s implications for the future of work, corporate leadership, and capitalism itself, asking: Will this remarkable time give rise to newfound resilience, or become just another costly mistake to be forgotten?
In her mesmerizing fourth work of fiction, Sue Monk Kidd takes an audacious approach to history and brings her acclaimed narrative gifts to imagine the story of a young woman named Ana. Raised in a wealthy family with ties to the ruler of Galilee, she is rebellious and ambitious, with a brilliant mind and a daring spirit. She engages in furtive scholarly pursuits and writes narratives about neglected and silenced women. Ana is expected to marry an older widower, a prospect that horrifies her. An encounter with eighteen-year-old Jesus changes everything.
Their marriage evolves with love and conflict, humor and pathos in Nazareth, where Ana makes a home with Jesus, his brothers, and their mother, Mary. Ana’s pent-up longings intensify amid the turbulent resistance to Rome’s occupation of Israel, partially led by her brother, Judas. She is sustained by her fearless aunt Yaltha, who harbors a compelling secret. When Ana commits a brazen act that puts her in peril, she flees to Alexandria, where startling revelations and greater dangers unfold, and she finds refuge in unexpected surroundings. Ana determines her fate during a stunning convergence of events considered among the most impactful in human history.
Grounded in meticulous research and written with a reverential approach to Jesus’s life that focuses on his humanity, The Book of Longings is an inspiring, unforgettable account of one woman’s bold struggle to realize the passion and potential inside her, while living in a time, place and culture devised to silence her. It is a triumph of storytelling both timely and timeless, from a masterful writer at the height of her powers.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. The only person to notice the strange and terrible forces gathering around the Overlook is five-year-old Danny Torrance, Jack’s uniquely gifted son–and he may also be the only one able to stop them.
Described as both “one of the most important novels ever written” and “the gospel of evil,” 120 Days of Sodom was written by the Marquis de Sade, a notorious eighteenth-century aristocrat who waged a campaign of mayhem and debauchery across France, evaded execution, and inspired the word “sadism,” which came to mean receiving pleasure from pain. Despite all his crimes, Sade considered this work to be his greatest transgression.
The original manuscript of 120 Days of Sodom, a tiny scroll penned in the bowels of the Bastille in Paris, would embark on a centuries-spanning odyssey across Europe, passing from nineteenth-century banned book collectors to pioneering sex researchers to avant-garde artists before being hidden away from Nazi book burnings. In 2014, the world heralded its return to France when the scroll was purchased for millions by Gérard Lhéritier, the self-made son of a plumber who had used his savvy business skills to upend France’s renowned rare-book market. But the sale opened the door to vendettas by the government, feuds among antiquarian booksellers, manuscript sales derailed by sabotage, a record-breaking lottery jackpot, and allegations of a decade-long billion-euro con, the specifics of which, if true, would make the scroll part of France’s largest-ever Ponzi scheme.
Told with gripping reporting and flush with deceit and scandal, The Curse of the Marquis de Sade weaves together the sweeping odyssey of 120 Days of Sodom and the spectacular rise and fall of Lhéritier, once the “king of manuscripts” and now known to many as the Bernie Madoff of France. At its center is an urgent question for all those who cherish the written word: As the age of handwriting comes to an end, what do we owe the original texts left behind?
For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be featured on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval.
However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into some light sabotage to ruffle Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
When Bryan Stevenson graduated from Harvard Law School in 1988, he headed south to Alabama, a state on the verge of a crisis: the state was speeding up executions, but many of the condemned lacked anyone to represent them. On a shoestring budget he started the Equal Justice Initiative, a law practice dedicated to defending some of America’s most rejected and marginalized people. Among the first cases he took on was that of Walter McMillian, a black man from Harper Lee’s hometown of Monroeville who was sentenced to die for a notorious murder he insisted he didn’t commit. The case would change Bryan’s life and transform his understanding of justice and mercy forever. Just Mercy is the story of the education of a young lawyer fighting on the frontlines of a country in thrall to extreme punishments and careless justice. It follows the suspenseful battle to free Walter before the state executed him, while also telling other dramatic and profoundly moving stories of men, women, and children, innocent and guilty, who found themselves at the mercy of a system often incapable of showing it.
This is a exquisitely rendered account of a heroic advocate’s fights on behalf of the most powerless people in our society and a powerful indictment of our broken justice system.
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university library. His mother Margaret, a Chinese American poet, left the family when he was nine years old without a trace. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, his family’s life has been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic.
Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is pulled into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
Our Missing Hearts is an old story made new, of the ways supposedly civilized communities can ignore the most searing injustice. It’s a story about the power—and limitations—of art to create change, the lessons and legacies we pass on to our children, and how any of us can survive a broken world with our hearts intact.
Masked in the tradition of the literary confession practiced by such writers as St. Augustine and Rousseau, this “autobiography” purports to be a candid account of its narrator’s private views and feelings as well as an acknowledgement of the central secret of his life: that though he lives as a white man, he is, by heritage and experience, an African-American.
Written by the first black executive secretary of the NAACP, The Autobiography of an Ex-Colored Man, in its depiction of turn-of-the-century New York, anticipates the social realism of the Harlem Renaissance writers. In its unprecedented analysis of the social causes of a black man’s denial of the best within himself, it is perhaps James Weldon Johnson’s greatest service to his race.
Eight hours. Six friends. Five survive.
Red Kenny is on a road trip for spring break with five friends: her best friend and her older brother, his perfect girlfriend, a friend from school, and the guy Red wishes was more than a friend. But they won’t make it to their destination. When their RV breaks down in the middle of nowhere, with no cell service, they realize this is no accident. They have been trapped out there in the dark, by someone who wants them dead. With eight hours until dawn, the six friends must escape, or figure out which one of them is the target. But is there a liar among them? Buried secrets will be brought to light, and tensions inside the RV will reach deadly levels. Not all of them will survive the night. . . .
Too many people delay, downsize, or shrug off their dreams just because they don’t know where to start, but playing it safe doesn’t account for the massive cost of a life not fully lived. Win the Day is the jump-start you need to go after your goals, one day at a time.
When Akuany and her brother Bol are orphaned in a village raid in South Sudan, they’re taken in by a young merchant Yaseen who promises to care for them, a vow that tethers him to Akuany through their adulthood. As a revolutionary leader rises to power – the self-proclaimed Mahdi, prophesied redeemer of Islam – Sudan begins to slip from the grasp of Ottoman rule, and everyone must choose a side. A scholar of the Qur’an, Yaseen feels beholden to stand against this false Mahdi, even as his choice splinters his family. Meanwhile, Akuany moves through her young adulthood and across the country alone, sold and traded from house to house, with Yaseen as her inconsistent lifeline. Everything each of them is striving for – love, freedom, safety – is all on the line in the fight for Sudan.
Through the voices of seven men and women whose fates grow inextricably linked, Aboulela’s latest novel illuminates a fraught and bloody reckoning with the history of a people caught in the crosshairs of imperialism. River Spirit is a powerful tale of corruption, coming of age, and unshakeable devotion – to a cause, to one’s faith, and to the people who become family.
Years after a reluctant separation, Fiyin has learned to fill the void with the luxuries her estranged husband pays for. She is living her best life and everything is grand. Until it isn’t. Suddenly, she is desirous of rebuilding her marriage and fixing what is broken with Dare, her husband, even if he has gone on to marry several other wives and has given stringent conditions for a reconciliation to be possible. Regardless, she is ready to do whatever it takes to reclaim her place as his number one wife. As she jets to and from Abuja trying to win Dare back, she accepts the offer from an admirer, Rahim Sukai, for the use of his private jet anytime she wants it. A simple fix for her morbid fear of flying local airlines, except it comes with an unexpected blast from the past in the form of the Pilot, her childhood friend, Goriola, who, it appears, still carries a torch for her.
What follows is a quest to win back the affection of a man who no longer loves her, an unexpected journey with a man who still does, a battle for dominance from a man who will do whatever it takes to get her…
And an awakening she is forced to come to as she relearns everything she has ever known to be true.
The first children’s book from the best-selling author of We Should All Be Feminists and Americanah—a tender story about a little girl’s love for her mother’s scarf, and the adventures she shares with it and her whole family
Chino loves the scarf that her mama ties around her hair at night. But when Mama leaves for the day, what happens to her scarf? Chino takes it on endless adventures! Peeking through the colorful haze of the silky scarf, Chino and her toy bunny can look at her whole family as they go through their routines.
With stunning illustrations from Joelle Avelino, Mama’s Sleeping Scarf is a celebration of family, and a touching story about the everyday objects that remind us of the ones we love.
