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Suddenly unemployed and on the brink of eviction, Cassie Evans is left with two choices: get a new job (and fast) or fire up her long-untouched OnlyFans account. But the job market is terrible, and as for OnlyFans. . . . Well, there are reasons she can’t go back. Just when all hope seems lost, an ad for a live-in nanny position seems like the solution to all her problems. It’s almost too perfect—until she meets her would-be employer.

Aiden Reid, executive chef and DILF extraordinaire, is far from the stuffy single dad Cassie was imagining. He shocks her when he tells her she’s the most qualified applicant he’s met in weeks, practically begging her to take the job. With hands that make her hindbrain howl and eyes that scream sex, the idea of living under the same roof as Aiden feels dangerous, but with no other option, she decides to stay with him and his adorably tenacious daughter, Sophie.

Cassie soon discovers that Aiden is not a stranger at all, but instead someone who is very familiar with her—or at least, her body. Given that he doesn’t remember her, Cassie is faced with what feels like an impossible situation. As their relationship heats to temperatures hotter than any kitchen Aiden has ever worked in, Cassie struggles with telling Aiden the truth, and the more terrifying possibility—losing the best chance at happiness she’s ever had.

In this 1983 short story—the only short story Morrison ever wrote—we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other’s throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them.

Another work of genius by this masterly writer, Recitatif keeps Twyla’s and Roberta’s races ambiguous throughout the story. Morrison herself described Recitatif, a story which will keep readers thinking and discussing for years to come, as “an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial.” We know that one is white and one is Black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage?

A remarkable look into what keeps us together and what keeps us apart, and how perceptions are made tangible by reality, Recitatif is a gift to readers in these changing times.

Having fled Japanese-occupied Korea for the gleaming promise of the United States with nothing but four dollars and a suitcase full of Shakespeare to his name, the young, idealistic Chungpa Han arrives in a New York teeming with expatriates, businessmen, students, scholars, and indigents. Struggling to support his studies, he travels throughout the United States and Canada, becoming by turns a traveling salesman, a domestic worker, and a farmer, and observing along the way the idealism, greed, and shifting values of the industrializing twentieth century. Part picaresque adventure, part shrewd social commentary, East Goes West casts a sharply satirical eye on the demands and perils of assimilation. It is a masterpiece not only of Asian American literature but also of American literature.