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Will Hart, the Duke of Ashmore, is everything his father was not: scrupulously honest, forbidding, and apparently joyless. As a duke, he’s a catch, but as a grumpy stick-in-the mud, no lady knows quite how to catch his eye. When his sisters concoct a plan for him to visit a run-down family property in Cornwall, he reluctantly agrees, hoping it will be a chance for him to rediscover the carefree man he once was.

Madeline Ravenwood believes she can do anything she puts her mind to, including running the gardening business she inherited from her father and being a founding member of the Royal Visit Committee. Hard at work preparing for Princess Beatrice’s visit to judge their annual flower show, the appearance of a stern, handsome duke is a distraction Maddie doesn’t need.

Tasked by the committee to convince the duke to repair his ramshackle manor house in time for the royal visit, he agrees, if she will join him as he explores Cornwall. Spending their days, and nights, together, Will’s love for Maddie becomes too strong to ignore. But Maddie knows how different their worlds are and when the burdens of his title reappear, can Will convince her that she’s the woman he’s been waiting for?

Lady Jessica, mother of Paul, and consort to Leto Atreides. The choices she made shaped an empire, but first the Lady of Caladan must reckon with her own betrayal of the Bene Gesserit. She has already betrayed her ancient order, but now she must decide if her loyalty to the Sisterhood is more important than the love of her own family.

Meanwhile, events in the greater empire are accelerating beyond the control of even the Reverend Mother, and Lady Jessica’s family is on a collision course with destiny.

Set in an unnamed slum in modern-day Argentina, a young woman has a compulsion to eat earth that gives her visions of the murdered and disappeared. Her ability is no superpower. With her first taste of dirt, she learns the truth of her mother’s death. Disturbed by what she witnesses, Eartheater keeps her visions to herself. But when she strikes up an unlikely relationship with a withdrawn police officer, word of her visions spreads, and desperate members of her community seek out her help to find loved ones and closure.

Having fled Japanese-occupied Korea for the gleaming promise of the United States with nothing but four dollars and a suitcase full of Shakespeare to his name, the young, idealistic Chungpa Han arrives in a New York teeming with expatriates, businessmen, students, scholars, and indigents. Struggling to support his studies, he travels throughout the United States and Canada, becoming by turns a traveling salesman, a domestic worker, and a farmer, and observing along the way the idealism, greed, and shifting values of the industrializing twentieth century. Part picaresque adventure, part shrewd social commentary, East Goes West casts a sharply satirical eye on the demands and perils of assimilation. It is a masterpiece not only of Asian American literature but also of American literature.