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In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and – zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.

Soon to be a major motion picture sequel to Murder on the Orient Express with a screenplay by Michael Green, directed by and starring Kenneth Branagh alongside Gal Gadot—coming Feb 11, 2022!

Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie’s most famous mysteries.

The tranquility of a luxury cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything . . . until she lost her life.

Hercule Poirot recalled an earlier outburst by a fellow passenger: “I’d like to put my dear little pistol against her head and just press the trigger.” Yet under the searing heat of the Egyptian sun, nothing is ever quite what it seems.

A sweeping mystery of love, jealousy, and betrayal, Death on the Nile is one of Christie’s most legendary and timeless works.

A masterwork by the 2021 Nobel Prize winner in Literature, in which the consequences of an illicit love affair reverberate from the heyday of the British empire to the aftermath of African independence

Early one morning in 1899, an Englishman named Martin Pearce stumbles out of the desert into an East African coastal town and collapses at the feet of Hassanali, a local shopkeeper. When Hassanali’s sister, the beautiful and disillusioned Rehana, nurses Pearce back to health, a love affair sparks, with consequences that will ripple decades into the future, when another clandestine affair bursts into flame, with equally unforeseen and dramatic consequences.

In this devastating and ingeniously spun tale, the Nobelist Abdulrazak Gurnah brilliantly dramatizes the personal and political legacies of colonialism.

When Tina Das finds herself at a crossroads both professionally and personally, she wonders if a weeklong trip to Delhi for her cousin’s lavish wedding might be just the right kind of escape. Maybe a little time away from New York will help get her mind straight about her stalled career, her recent breakup, and her nagging suspicion that she’ll never feel as at home in America as she does in India. Tina hopes this destination wedding, taking place at Delhi’s poshest country club, Colebrookes, will be the perfect way to reflect and unwind.

But with the entire Das family in attendance, a relaxing vacation is decidedly not in the cards. Her amicably divorced parents are each using the occasion to explore new love interests—for her mother, a white American boyfriend, for her father, an Indian widow arranged by an online matchmaker—and Tina’s squarely in the middle. A former fling is unexpectedly on the guest list, a work opportunity is blurring the lines of propriety on several fronts, and her best friend Marianne’s terrible penchant for international playboys is poised to cause all sorts of chaos back home. The accommodations are swanky, the alcohol is top-shelf, but this family wedding may be more drama than Tina can bear and could finally force her to make the choices she’s spent much of her life avoiding.

Infused with warmth and charm, Destination Wedding grapples with the nuances of family, careers, belonging, and how we find the people who make a place feel like home.

The year is 1948, the town is Los Angeles.

Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend’s bar, he’s wondering how he’ll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money if Easy will simply locate Miss Daphne Money, a missing blonde beauty known to frequent black jazz clubs.

Easy has no idea that by taking this job, his life is about to change forever.