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The long-lived protagonist of Orlando begins as a passionate teenage aristocrat, whose days are spent in rowdy revelry at the colorful Tudor court of Queen Elizabeth and his nights in writing earnest poetry. A favorite of the elderly queen, he falls in love with and is jilted by a wayward Russian princess. Two kings later, now in his thirties, Orlando is sent to serve as ambassador to Constantinople, where he awakens one day to find himself in the body of a woman. The Lady Orlando takes this circumstance in stride. She returns to England, engages in love affairs with both men and women, consorts with the famous poets of each age, finds happiness with a gender-nonconforming husband, and at last achieves publication of her own epic poem in the year 1928. A playful and exuberant romp through history, Orlando is Woolf’s most lighthearted and unusual novel.

In this darkly comic story about how we value female labor—and don’t—a new mother becomes embroiled in danger when her friend, a controversial entrepreneur, goes missing.
When her daughter Lotte was born, Dani had welcomed the chance to be a stay-at-home mother. To be good at something, for once. But now Dani can’t stop thinking about her seemingly healthy husband, Clark, dropping dead. Not because she hates him (not right now, anyway) but because it’s become abundantly clear to Dani that if he dies, she and Lotte will be left destitute.

And then Dani discovers The Temple. Ostensibly a yoga center, The Temple and its guardian, Renata, are committed to helping people reach their full potential. And if that sometimes requires sex work, so be it. Finally, Dani has found something she could be good at, even great at; meaningful work that will protect her and Lotte from poverty, and provide true economic independence from Clark.

Just as Dani is preparing to embrace this opportunity, Renata disappears. And Dani discovers there might be something else she’s good at: uncovering secrets.

One woman’s trash is another woman’s treasure.

A woman with high standards. A rival coworker. And the promotion that stands between them . . .
Coder Marina Spicer has no time to waste when it comes to love, hence her long list of dealbreakers. Frustrated by the online dating world, she created Dealbreakers, an anonymous app where women review how men stack up to their internet profiles. Her high standards have served her well at work, so why not in love?

Enter Lucas Kennedy. A charming Irish content writer, he’s the only one standing between Marina and her long-deserved promotion. Much to Marina’s chagrin, the two are paired on a project to test out date ideas, ultimately determining which of them will run the department. Taking a peek at Dealbreakers hoping to learn some dirt about her rival, she finds he’s the worst-rated man on the entire app.

As Lucas and Marina argue their way through mixing cocktails, salsa dancing, and throwing axes, Marina finds herself having more fun than she’s had in years. So when temptation becomes too strong to resist, Marina allows herself to break some of her own rules. After all, if the Dealbreakers say he’s Mr. Wrong, he can’t possibly be Mr. Right . . . can he?

The course of true love is anything but smooth as childhood enemies discover the fine line between love and hate in this heartfelt reimagining of Shakespeare’s The Taming of the Shrew.
Katerina Wilmot and Christopher Petruchio shared backyards as kids, but as adults they won’t even share the same hemisphere. That is, until Kate makes a rare visit home, and their fiery animosity rekindles into a raging inferno.

Despite their friends’ and families’ pleas for peace, Christopher is unconvinced Kate would willingly douse the flames of their enmity. But when drunken Kate confesses she’s only been hostile because she thought he hated her, Christopher vows to make peace with Kate after all. Tempting as it is to be swept away when her nemesis transforms overnight into a caring gentleman who woos Kate with her favorite foods, flowers, and flattering words, she doesn’t trust his charming good-guy act.

When Christopher’s persistence and Kate’s curiosity lead to an impassioned kiss, they realize “peace” is the last thing that will ever be possible between them. As desire gives way to deeper feelings, Kate and Christopher must decide if it’s truly better to hate than to never risk their hearts—or if they already gave them away long ago.