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When Hara Wilson lands in Seoul to find her birth mother, she doesn’t plan on falling in love with the first man she lays eyes on, but Choi Yujun is irresistible. If his broad shoulders and dimples weren’t
enough, Choi Yujun is the most genuine, decent, gorgeous guy to exist. Too bad he’s also her stepbrother.

Fate brought her to the Choi doorstep but the gift of family comes with burdens. A job in her mother’s company has perks of endless company dinners and super resentful coworkers. A new country means
learning a new language which twenty-five year old Hara is finding to be a Herculean task. A forbidden love means having to choose between her birth family or Choi Yujun.

All Hara wanted was to find a place to belong in this world—but in order to have it all, she’ll have to risk it all.

Ernest Hemingway, a literary icon and considered one of the greatest American writers of all time, is the subject of a major documentary by award-winning filmmakers Ken Burns and Lynn Novick. This intimate portrait of Hemingway – who brilliantly captured the complexities of the human condition in spare and profound prose, and whose work remains deeply influential in literature and culture – interweaves a close study of biographical events with excerpts from his work.

The Hemingway Stories features Hemingway’s most significant short stories in chronological order, so viewers of the film as well as fans old and new can follow the trajectory of his impressive life and career. Hemingway’s beloved classics, such as “The Short and Happy Life of Francis Macomber”, “Up in Michigan”, “Indian Camp”, and “The Snows of Kilimanjaro”, are accompanied by fresh insights from renowned writers around the world – Mario Vargas Llosa, Edna O’Brien, Abraham Verghese, Tim O’Brien, and Mary Karr. Tobias Wolff’s introduction adds a new perspective to Hemingway’s work, and Wolff has selected additional stories that demonstrate Hemingway’s talent and range.

The power of Ernest Hemingway’s revolutionary style is perhaps most striking in his short stories, and here listeners can encounter the tales that created the legend: stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. Featuring the voices of Mary Karr, Edna O’Brien, Michael Katakis, and other authors whose insights are heard in the PBS documentary, this audio collection is a perfect introduction for a new generation of Hemingway listeners and a vital volume for any fan.

I think what I’m trying to say is that I’ve been wanting to become friends with the Woman in the Purple Skirt for a very long time…

Almost every afternoon, the Woman in the Purple Skirt sits on the same park bench, where she eats a cream bun while the local children make a game of trying to get her attention. Unbeknownst to her, she is being watched–by the Woman in the Yellow Cardigan, who is always perched just out of sight, monitoring which buses she takes, what she eats, whom she speaks to.

From a distance, the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. She is single, she lives in a small apartment, and she is short on money–just like the Woman in the Yellow Cardigan, who lures her to a job as a housekeeper at a hotel, where she too is a housekeeper. Soon, the Woman in the Purple Skirt is having an affair with the boss and all eyes are on her. But no one knows or cares about the Woman in the Yellow Cardigan. That’s the difference between her and the Woman in the Purple Skirt.

Studiously deadpan and chillingly voyeuristic, and with the off-kilter appeal of the novels of Ottessa Moshfegh, The Woman in the Purple Skirt explores envy, loneliness, power dynamics, and the vulnerability of unmarried women in a taut, suspenseful narrative about the sometimes desperate desire to be seen.