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The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender: In “Bridesmaid, Revisited,” Marlee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In “Twist and Shout,” Erica’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In “Turn Back, Turn Back,” a bedtime story coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in “561,” Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home. (“It’s like you’re North Korea and South Korea . . . But would North Korea help South Korea move?”)

Katherine Heiny, one of our most celebrated writers, our bard of waking up in the wrong bed, wearing the wrong shoes, running late for the wrong job, but loved by the right people, has delivered a collection of glorious humour and immense kindness.

When plunging enrollment forces two rival high schools to merge, two class presidents must work together to make the schools unite. But when a mutual crush emerges, they’ll both have to figure out what they want and where their loyalties lie before they become the most hated people at school.

Meg Williams is on the way to making her dreams come true. As the incoming Junior class president for Hirono High School, all she needs are a few more As and an excellent college recommendation letter, then she can leave Huntersville, California, and her ghosts behind.

Or, at least she was on track until the school district decided to combine Hirono with their rival, Davies High School. Now, Meg is wandering the pristine hallways of Davies High, her life plan threatened by Hirono’s queen mean girl, Freya Allenson, and the maddeningly perfect Chris Chaves, Davies High School’s class president.

When it turns out Huntersville’s Golden Boy won’t just step down, Meg begrudgingly accepts that they’ll have to work together for the year. Worse still, escalating pranks between the rival classmates and a developing crush threaten to throw Meg even further off course. As homecoming draws near, both Meg and Chris will have to decide where their loyalties lie.

Audrey Zhou left Hickory Grove, the tiny central Illinois town where she grew up, as soon as high school ended, and she never looked back. She moved to New York City and became the person she always wanted to be, complete with a high-paying, high-pressure job and a seemingly faultless fiancé. But if she and Manhattan-bred Ben are to build a life together, in the dream home his parents will surely pay for, Audrey can no longer hide him, or the person she’s become, from those she left behind.

But returning to Hickory Grove is . . . complicated. Audrey’s relationship with her parents has been soured by years of her mother’s astronomical expectations and slights. The friends she’s shirked for bigger dreams have stayed behind and started families. And then there’s Kyle, the easygoing stoner and her unrequited crush from high school that she finds herself drawn to again. Ben might be a perfect fit for New Audrey, but Kyle was always the only one who truly understood her growing up, and being around him again after all these years has Old Audrey bubbling up to the surface.

Over the course of one disastrous week, Audrey’s proximity to her family and to Kyle forces her to confront the past and reexamine her fraught connection to her roots before she undoes everything she’s worked toward and everything she’s imagined for herself. But is that life really the one she wants?

I don’t want to tell you what happened. I want to tell you how it felt.

Cassandra Williams is twelve; her little brother, Wayne, is seven. One day, when they’re alone together, there is an accident and Wayne is lost forever. His body is never recovered. The missing boy cleaves the family with doubt. Their father leaves, starts another family elsewhere. But their mother can’t give up hope and launches an organization dedicated to missing children.

As C grows older, she sees her brother everywhere: in bistros, airplane aisles, subway cars. Here is her brother’s face, the light in his eyes, the way he seems to recognize her, too. But it can’t be, of course. Or can it? Then one day, in another accident, C meets a man both mysterious and familiar, a man who is also searching for someone and for his own place in the world. His name is Wayne.

Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. The Furrows is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost.

THE RULES
1. Listen carefully
2. Do your research
3. Trust no one
4. Run for your life

It’s the holiday season and Harriet Reed, a novelist on the brink of literary stardom, is newly engaged to Edward Holbeck, the heir of an extremely powerful family. And even though Edward has long tried to sever ties with them, news of the couple’s upcoming marital bliss has the Holbecks inching back into their lives with one invite after another.

As Harriet is drawn into their lavish world, the family seems perfectly welcoming . . . even if some of their traditions, like a “Christmas demon” called Krampus, seem creepy at best. So when Edward’s father, Robert, hands Harriet a tape of a book he’s been working on, she is desperate to listen.

But as she presses play, it’s clear that this isn’t just a novel. It’s a confession.

A confession to a grisly crime. A murder. And, suddenly, the game is in motion.

Feeling isolated and confused, Harriet must work out if this is part of a plan to test her loyalty or something far darker. What is it that Robert sees in her? Why give her the power to destroy everything?

This might be a game to the Holbeck family—but losing could still prove deadly.

READY OR NOT, HERE THEY COME . . .