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For fans of Children of Blood and Bone and Six of Crows comes the thrilling conclusion to the Blood Heir trilogy. A princess with a dark secret must ally with a con man to liberate her empire from a reign of terror in this epic fantasy retelling of the Anastasia story.

The Red Tigress, Anastacya Mikhailov, has lost the gift she was only beginning to realize defined her. Stolen from her during the battle in Bregon, her blood Affinity rests with Sorsha Farrald, a dangerous Affinite who is on the run, headed straight to Cyrilia and to Ana’s aunt . . . the Empress Morganya.

Thought she is weakened, Ana and her course remain true—yet her return to her homeland reveals a Cyrilia on the brink of collapse. Morganya’s tyrannical rule has transformed into a sinister quest for unquestioned authority, and she has set her sights far beyond Cyrilia. Morganya seeks a legendary ancient power, rumored to have once belonged to the Deities themselves. If she can locate it, she can rule the world.

What’s more, Ana’s allies, the insurgent Affinite rebels known as the Redcloaks, no longer support her. For their allegiance is with the people—and there can be no equality with a monarchy.

Ana faces enemies at every turn, and every day without her Affinity brings her closer to death. Yet she is determined to liberate her people and vanquish the legacy of her own imperial bloodline—the inequality sewn into the fabric of her land. Her only hope lies in the navy she recruited in Bregon, the courage of her band of friends, and the cunning crime-lord-turned-captain she’s fallen for.

If Ana loses this fight, it will be her last. And Morganya’s reign of darkness with consume the world.

Fans of Children of Blood and Bone will love the sequel to Blood Heir. The second book in an epic fantasy series about a princess hiding a dark secret and the con man she must trust to liberate her empire from a dark reign.

Ana Mikhailov is the only surviving member of the royal family of Cyrilia. She has no army, no title, and no allies, and now she must find a way to take back the throne or risk the brutal retribution of the empress. Morganya is determined to establish a new world order on the spilled blood of non-Affinites. Ana is certain that Morganya won’t stop until she kills them all.

Ana’s only chance at navigating the dangerous world of her homeland means partnering with Ramson Quicktongue again. But the cunning crime lord has schemes of his own. For Ana to find an army, they must cross the Whitewaves to the impenetrable stone forts of Bregon. Only, no one can be certain what they will find there.

A dark power has risen. Will revolution bring peace–or will it only paint the streets in more blood.

From the the winner of the Nobel Prize in Literature: Part detective story, part historical epic—a bold and brilliant novel that imagines a plague ravaging a fictional island in the Ottoman Empire.

It is April 1900, in the Levant, on the imaginary island of Mingheria—the twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca or by merchant vessels coming from Alexandria—the island revolts.

To stop the epidemic, the Ottoman sultan Abdul Hamid II sends his most accomplished quarantine expert to the island—an Orthodox Christian. Some of the Muslims, including followers of a popular religious sect and its leader Sheikh Hamdullah, refuse to take precautions or respect the quarantine. And then a murder occurs.

As the plague continues its rapid spread, the Sultan sends a second doctor to the island, this time a Muslim, and strict quarantine measures are declared. But the incompetence of the island’s governor and local administration and the people’s refusal to respect the bans doom the quarantine to failure, and the death count continues to rise. Faced with the danger that the plague might spread to the West and to Istanbul, the Sultan bows to international pressure and allows foreign and Ottoman warships to blockade the island. Now the people of Mingheria are on their own, and they must find a way to defeat the plague themselves.

Steeped in history and rife with suspense, Nights of Plague is an epic story set more than one hundred years ago, with themes that feel remarkably contemporary.

“A woman must have money and a room of one’s own.” So said Virginia Woolf in her classic A Room of One’s Own, but in this scrupulously observed, gorgeously wrought debut novel, Jo Hamya pushes that adage powerfully into the twenty-first century, to a generation of people living in rented rooms. What a woman needs now is an apartment of her own, the ultimate mark of financial stability, unattainable for many.

Set in one year, Three Rooms follows a young woman as she moves from a rented room at Oxford, where she’s working as a research assistant; to a stranger’s sofa, all she can afford as a copyediting temp at a society magazine; to her childhood home, where she’s been forced to return, jobless, even a room of her own out of reach. As politics shift to nationalism, the streets fill with protestors, and news drip-feeds into her phone, she struggles to live a meaningful life on her own terms, unsure if she’ll ever be able to afford to do so.

Is living the life you’ve wished for really a dream come true?

Lucy Young is twenty-six and tired. Tired of fetching coffees for senior TV producers, sick of going on disastrous dates, and done with living in a damp flat with roommates who never buy toilet paper. After another disappointing date, Lucy stumbles upon a wishing machine. Pushing a coin into the slot, Lucy closes her eyes and wishes with all her might: Please, let me skip to the good part of my life.

When she wakes the next morning to a handsome man, a ring on her finger, a high-powered job, and two storybook-perfect children, Lucy can’t believe this is real—especially when she looks in the mirror, and staring back is her own fortysomething face. Has she really skipped ahead like she’s always wanted, or has she simply forgotten a huge chunk of her life? As Lucy begins to embrace new relationships and the perks of maturity, she’ll have to ask herself: Can she go back to her previous life, and if so, can she stand to leave the good part behind?