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Stella Lane thinks math is the only thing that unites the universe. She comes up with algorithms to predict customer purchases—a job that has given her more money than she knows what to do with, and way less experience in the dating department than the average thirty-year-old.

It doesn’t help that Stella has Asperger’s and French kissing reminds her of a shark getting its teeth cleaned by pilot fish. Her conclusion: she needs lots of practice—with a professional. Which is why she hires escort Michael Phan. The Vietnamese and Swedish stunner can’t afford to turn down Stella’s offer, and agrees to help her check off all the boxes on her lesson plan—from foreplay to more-than-missionary position…

Before long, Stella not only learns to appreciate his kisses, but crave all of the other things he’s making her feel. Their no-nonsense partnership starts making a strange kind of sense. And the pattern that emerges will convince Stella that love is the best kind of logic…

Photographer Cassie Harris loves her job—her company Buxom Boudoir makes people look beautiful and feel empowered with her modern twist on classic pinup photography. Cassie’s best friend, Dana, is about to launch her own dangerously dreamy lingerie line and wants Cassie to shoot and direct the career-changing national campaign. But company politics and Dana’s complicated pregnancy interfere, and Cassie finds herself—a proud plus size Black woman—not behind the camera but in front of it.

Though she’s never modeled herself, Cassie’s pretty sure she can handle the sheer underwear and caution tape bralettes. She’s not sure she can work so intimately with the chosen photographer, her long-time competitor in the Chicago photography scene, Reid Montgomery. Their chemistry is undeniable on set, however, and feelings can develop faster than film…

Four years ago, Dylan and Addie fell in love under the Provence sun. Wealthy Oxford student Dylan was staying at his friend Cherry’s enormous French villa; wild child Addie was spending her summer as the on-site caretaker. Two years ago, their relationship officially ended. They haven’t spoken since.

Today, Dylan’s and Addie’s lives collide again. It’s the day before Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked, and the wedding is in rural Scotland—he’ll never get there on time by public transport.

So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart—and ask themselves whether that final decision was the right one after all.

In Marlowe Banks, Redesigned, Jacqueline Firkins wonderfully captures the messiness of failure, forgiveness, and embracing a second chance on life and love.

Marlowe Banks’s life has come apart at the seams. Her engagement ended abruptly. Her latest costume design was shredded by critics. Her student loans are overdue. Her parents have never been more disappointed. Desperate to hide from her failures, Marlowe flees New York City to embrace invisibility in Los Angeles as a menial Production Assistant on a popular TV show. While sorting socks and taking care of her boss’ spoiled Weimaraner, no one can confront her poor artistic choices or the end of her engagement, the end her ex refuses to accept.

When a costume mix-up requires Marlowe to step into in a scene, the camera catches a heated look between her and Angus Gordon, the show’s arrogant bad boy, thrusting Marlowe into the spotlight. As the pair is forced together on set, Marlowe learns she’s not the only one hiding. Walls come down for both of them, revealing a life Marlowe isn’t sure she’s ready for, and when her past comes calling, she has to decide if she’s going to stay invisible or if it’s time for a redesign.