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In “The Boundary,” one family vacations in the Roman countryside, though we see their lives through the eyes of the caretaker’s daughter, who nurses a wound from her family’s immigrant past. In “P’s Parties,” a Roman couple, now empty nesters, finds comfort and community with foreigners at their friend’s yearly birthday gathering—until the husband crosses a line.

And in “The Steps,” on a public staircase that connects two neighborhoods and the residents who climb up and down it, we see Italy’s capital in all of its social and cultural variegations, filled with the tensions of a changing city: visibility and invisibility, random acts of aggression, the challenge of straddling worlds and cultures, and the meaning of home.

These are splendid, searching stories, written in Jhumpa Lahiri’s adopted language of Italian and seamlessly translated by the author and by Knopf editor Todd Portnowitz. Stories steeped in the moods of Italian master Alberto Moravia and guided, in the concluding tale, by the ineluctable ghost of Dante Alighieri, whose words lead the protagonist toward a new way of life.

On a late November afternoon, Saleh Omar arrives at Gatwick Airport from his native Zanzibar. With him he has a small bag in which lies his most precious possession—a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise, silence his only protection. Meanwhile, Latif Mahmud, a distinguished young professor, lives quietly alone in his London flat.

When the two encounter each other in an English seaside town, the narratives each carries of their mutual past begin to unravel—revealing an infinitely more fascinating story of love and betrayal, seduction and possession, and of a people desperately trying to find stability amidst the maelstrom of their times.

It should have been the perfect spring break: Five girlfriends. A remote winery on the Oregon coast. An infinite supply of delicious wine at their manicured fingertips. But then their center—beautiful, magnetic Vanessa Morales—vanished without a trace.

Emily Fischer was perhaps the last person to see her alive. But now, years later, Emily spots Vanessa’s doppelganger at a local café. At the end of her rope working a lucrative yet mind-numbing gig on a network sitcom, Emily is inspired to finally tell the story that’s been percolating inside her for so long: Vanessa’s story. But first, she needs to know what really happened on that fateful night. So she puts a brilliant scheme into motion.

She gets the girls together for a reunion weekend at the scene of the crime under the guise of reconnecting. There’s Brittany, Vanessa’s cousin and the inheritor of the winery; Paige, a former athlete, bullish yet easily manipulated; and Lydia, the wallflower of the group.

One of them knows the truth. But what have they each been hiding? And how much can Emily trust anything she learns from them . . . or even her own memories of Vanessa’s last days?

Suspenseful, propulsive, and interspersed with scenes from Emily’s blockbuster screenplay, Scenes of the Crime is an unforgettable mystery that examines culpability, the shiny rearview mirror of Hollywood storytelling, and the pitfalls of female friendship.

Rome, 1965: Aspiring actress Silvia Whitford arrives at Rome’s famed Cinecittà Studios from Los Angeles, ready for her big break and a taste of la dolce vita. Instead, she learns that the movie in which she was cast has been canceled. Desperate for money, Silvia has only one choice: seek out the Italian aunt she has never met.

Gabriella Conti lives in a crumbling castello on the edge of a volcanic lake. Silvia’s mother refuses to explain the rift that drove the sisters apart, but Silvia is fascinated by Gabriella, a once-famous actress who still radiates charisma. And the eerie castle inspires Silvia’s second chance when it becomes the location for a new horror movie, aptly named The Revenge of the Lake Witch—and she lands a starring role.

Silvia immerses herself in the part of an ingenue tormented by the ghost of her beautiful, seductive ancestor. But when Gabriella abruptly vanishes, the movie’s make-believe terrors seep into reality. No one else on set seems to share Silvia’s suspicions. Yet as she delves into Gabriella’s disappearance, she triggers a chain of events that illuminate dark secrets in the past—and a growing menace in the present…

A few years ago, Sancia Grado would’ve happily watched Tevanne burn. Now, she’s hoping to transform her city into something new. Something better. Together with allies Orso, Gregor, and Berenice, she’s about to strike a deadly blow against Tevanne’s cruel robber-baron rulers and wrest power from their hands for the first time in decades.

But then comes a terrifying warning: Crasedes Magnus himself, the first of the legendary hierophants, is about to be reborn. And if he returns, Tevanne will be just the first place to feel his wrath.

Thousands of years ago, Crasedes was an ordinary man who did the impossible: Using the magic of scriving—the art of imbuing objects with sentience—he convinced reality that he was something more than human. Wielding powers beyond comprehension, he strode the world like a god for centuries, meting out justice and razing empires single-handedly, cleansing the world through fire and destruction—and even defeating death itself.

Like it or not, it’s up to Sancia to stop him. But to have a chance in the battle to come, she’ll have to call upon a god of her own—and unlock the door to a scriving technology that could change what it means to be human. And no matter who wins, nothing will ever be the same.

The awe-inspiring second installment of the Founders Trilogy, Shorefall returns us to the world Robert Jackson Bennett created in his acclaimed Foundryside . . . and forges it anew.

Sancia, Clef, and Berenice have gone up against long odds in the past. But the war they’re fighting now is one even they can’t win.

This time, they’re not facing robber-baron elites or even an immortal hierophant, but an entity whose intelligence is spread over half the globe—one that uses the magic of scriving to control not just objects but human minds.

To fight it, they’ve used scriving technology to transform themselves and their allies into an army—a society—unlike anything humanity has seen before. With its strength at their backs, they’ve freed a handful of their enemy’s hosts from servitude, and even defeated some of its fearsome, reality-altering dreadnoughts.

Yet despite their efforts, their enemy marches on. Implacable. Unstoppable.

Now, as their opponent closes in on its true prize—an ancient doorway, long buried, that leads to the chambers at the center of creation itself—Sancia and her friends glimpse a last opportunity to stop this unbeatable foe. To do so, they’ll have to unlock the centuries-old mystery of scriving’s origins, embark on a desperate mission into the heart of their enemy’s power, and pull off the most daring heist they’ve ever attempted.

But their adversary might have a spy in their ranks—and a last trick up its sleeve.

And to have a chance at victory, Sancia, Clef, and Berenice will have to make a sacrifice beyond anything that’s come before.

When her missing husband is found dead in a car crash far from home, a charismatic actress must find out the truth in this utterly fresh take on the domestic suspense novel.

Sophie is an aspiring British Pakistani actress whose only claim to fame – despite her vast and unscrupulous ambitions – is the unplanned on-camera birth of her son, a clip which has become something of a cult favourite on the Indian B movie scene. Her husband, Tariq, is a pillar of Bradford’s Muslim community and her perfect match, until his sudden disappearance under mysterious circumstances. When a body is found, presumed to be his, but disfigured in a way that makes identification difficult, Sophie is distraught.

Tariq was her ‘third time lucky husband’. Her first, Amir, came out of a childhood sweetheart relationship that couldn’t last, and her rebound marriage to doting Faraz, a recent immigrant to the UK and obsessed with the Royal Family, was even shorter lived. Is Sophie just luckless or is there more to her than meets the eye? And maybe, just maybe, one of her exes has something to do with Tariq’s untimely death. Might one of them be responsible for the threatening letters? Sophie herself is guilty of something, but is murder part of her ambition?

In Sophie, Dar has created a flawed yet hypnotising female lead: a cunning, narcissistic character for fans of Gillian Flynn’s Gone Girl and Oyinkan Braithwaite’s My Sister the Serial Killer. It is just a matter of time before her intricate web of lies begins to draw tighter.