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In Marlowe Banks, Redesigned, Jacqueline Firkins wonderfully captures the messiness of failure, forgiveness, and embracing a second chance on life and love.

Marlowe Banks’s life has come apart at the seams. Her engagement ended abruptly. Her latest costume design was shredded by critics. Her student loans are overdue. Her parents have never been more disappointed. Desperate to hide from her failures, Marlowe flees New York City to embrace invisibility in Los Angeles as a menial Production Assistant on a popular TV show. While sorting socks and taking care of her boss’ spoiled Weimaraner, no one can confront her poor artistic choices or the end of her engagement, the end her ex refuses to accept.

When a costume mix-up requires Marlowe to step into in a scene, the camera catches a heated look between her and Angus Gordon, the show’s arrogant bad boy, thrusting Marlowe into the spotlight. As the pair is forced together on set, Marlowe learns she’s not the only one hiding. Walls come down for both of them, revealing a life Marlowe isn’t sure she’s ready for, and when her past comes calling, she has to decide if she’s going to stay invisible or if it’s time for a redesign.

Abbas is just seventeen years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu’s sons, a gift to commemorate their return from British captivity. His fate—and the fate of the wooden tiger he helps create—will mirror the vicissitudes of nations and dynasties ravaged by war across India and Europe.

Working alongside the legendary French clockmaker Lucien du Leze, Abbas hones his craft, learns French, and meets Jehanne, the daughter of a French expatriate. When Du Leze is finally permitted to return home to Rouen, he invites Abbas to come along as his apprentice. But by the time Abbas travels to Europe, Tipu’s palace has been looted by British forces, and the tiger automaton has disappeared. To prove himself, Abbas must retrieve the tiger from an estate in the English countryside, where it is displayed in a collection of plundered art.

Four years ago, Dylan and Addie fell in love under the Provence sun. Wealthy Oxford student Dylan was staying at his friend Cherry’s enormous French villa; wild child Addie was spending her summer as the on-site caretaker. Two years ago, their relationship officially ended. They haven’t spoken since.

Today, Dylan’s and Addie’s lives collide again. It’s the day before Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked, and the wedding is in rural Scotland—he’ll never get there on time by public transport.

So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart—and ask themselves whether that final decision was the right one after all.

Photographer Cassie Harris loves her job—her company Buxom Boudoir makes people look beautiful and feel empowered with her modern twist on classic pinup photography. Cassie’s best friend, Dana, is about to launch her own dangerously dreamy lingerie line and wants Cassie to shoot and direct the career-changing national campaign. But company politics and Dana’s complicated pregnancy interfere, and Cassie finds herself—a proud plus size Black woman—not behind the camera but in front of it.

Though she’s never modeled herself, Cassie’s pretty sure she can handle the sheer underwear and caution tape bralettes. She’s not sure she can work so intimately with the chosen photographer, her long-time competitor in the Chicago photography scene, Reid Montgomery. Their chemistry is undeniable on set, however, and feelings can develop faster than film…

Single, broke, and about to be ejected from her London flat, Cat feels left behind by her friends, who are all either married or engaged. At least if she picked a few pockets when fellow wedding guests get handsy, no one’s the wiser. No one, that is, except her favorite bartender, Jake, who has his own less-than-legal side hustle.

When she’s unceremoniously fired and roped into bridesmaid duties for best frenemy Louisa, Cat can’t help but notice that Louisa’s priceless diamond engagement ring sure would solve a lot of problems. But Cat isn’t as skilled a thief as Jake is, so to pull off the scheme of their lives, they’ll have to pair up. From an engagement party on a boat to the bachelorette weekend in Palermo, Cat and Jake play cat and mouse with each other in a romantic charade. But who’s to say what’s real and what’s fake, when love and money are on the line?

Stella Lane thinks math is the only thing that unites the universe. She comes up with algorithms to predict customer purchases—a job that has given her more money than she knows what to do with, and way less experience in the dating department than the average thirty-year-old.

It doesn’t help that Stella has Asperger’s and French kissing reminds her of a shark getting its teeth cleaned by pilot fish. Her conclusion: she needs lots of practice—with a professional. Which is why she hires escort Michael Phan. The Vietnamese and Swedish stunner can’t afford to turn down Stella’s offer, and agrees to help her check off all the boxes on her lesson plan—from foreplay to more-than-missionary position…

Before long, Stella not only learns to appreciate his kisses, but crave all of the other things he’s making her feel. Their no-nonsense partnership starts making a strange kind of sense. And the pattern that emerges will convince Stella that love is the best kind of logic…