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The Gen—short for Sexagenarian—is an upscale fifty-five-plus community located in the bucolic suburbs of Philadelphia. Main character Cynthia befriends the Gen’s two other Black residents, Bloc and Tish, as well as Lavia, who everyone assumes is from India. They regularly convene to smoke weed, line dance, and debate politics and philosophy as the wine goes down like silk. Their camaraderie is exhilarating.

But beneath the fun and froth, storms gather. With its walls of windows gushing light and air, the Gen becomes the catalyst for secrets to be exposed.

Shifting the narrative between the characters’ pasts and the present day, Diane McKinney-Whetstone deftly builds suspense as she captures with insight, poignancy, and humor, the scars, tenderness, and swagger of those not yet old, but no longer young, coming to the mean acceptance that life is finite after all, who knew.

When Lily moves into new boyfriend Marcus’s apartment and plunges headlong into their relationship, she must contend with an intangible, hostile presence—Marcus’s ex-girlfriend, Sinead. As Lily and Marcus become more deeply involved, Lily becomes obsessed with Sinead’s fate and thinks she sees her everywhere. She must question not only her sanity, but whether the man she loves is someone she can, or should, be with at all.

Six summers to fall in love. One moment to fall apart. A weekend to get it right.

They say you can never go home again, and for Persephone Fraser, ever since she made the biggest mistake of her life a decade ago, that has felt too true. Instead of glittering summers on the lakeshore of her childhood, she spends them in a stylish apartment in the city, going out with friends, and keeping everyone a safe distance from her heart.

Until she receives the call that sends her racing back to Barry’s Bay and into the orbit of Sam Florek—the man she never thought she’d have to live without.

For six summers, through hazy afternoons on the water and warm summer nights working in his family’s restaurant and curling up together with books—medical textbooks for him and work-in-progress horror short stories for her—Percy and Sam had been inseparable. Eventually that friendship turned into something breathtakingly more, before it fell spectacularly apart.

When Percy returns to the lake for Sam’s mother’s funeral, their connection is as undeniable as it had always been. But until Percy can confront the decisions she made and the years she’s spent punishing herself for them, they’ll never know whether their love might be bigger than the biggest mistakes of their past.

Told over the course of six years and one weekend, Every Summer After is a big, sweeping nostalgic story of love and the people and choices that mark us forever.

In Marlowe Banks, Redesigned, Jacqueline Firkins wonderfully captures the messiness of failure, forgiveness, and embracing a second chance on life and love.

Marlowe Banks’s life has come apart at the seams. Her engagement ended abruptly. Her latest costume design was shredded by critics. Her student loans are overdue. Her parents have never been more disappointed. Desperate to hide from her failures, Marlowe flees New York City to embrace invisibility in Los Angeles as a menial Production Assistant on a popular TV show. While sorting socks and taking care of her boss’ spoiled Weimaraner, no one can confront her poor artistic choices or the end of her engagement, the end her ex refuses to accept.

When a costume mix-up requires Marlowe to step into in a scene, the camera catches a heated look between her and Angus Gordon, the show’s arrogant bad boy, thrusting Marlowe into the spotlight. As the pair is forced together on set, Marlowe learns she’s not the only one hiding. Walls come down for both of them, revealing a life Marlowe isn’t sure she’s ready for, and when her past comes calling, she has to decide if she’s going to stay invisible or if it’s time for a redesign.