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Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist, and a gatherer of literary communities. Before his tragic death in 2019 at the age of forty-eight, he won the Caine Prize for African Writing and was named one of Time’s 100 Most Influential People. His wildly popular essay “How to Write About Africa,” an incisive and unapologetic piece that exposed the harmfully racist ways Western media depicts Africa, with implicit bias and subjective clichés, changed the game for African writers and helped set the stage for a new generation of authors, from Chimamanda Ngozi Adichie to Yaa Gyasi.

When Wainaina published a “lost chapter” of his 2011 memoir as an essay called “I Am a Homosexual, Mum,” in which he imagines coming out to his mother, he became a voice for the queer, African community as well, adding a new layer to how African sexuality is perceived.

How to Write About Africa celebrates this legacy in a collection of imaginative essays and short fiction about sexuality, art, history, and contemporary Africa. Wainaina’s writing is playful, robust, generous and full-bodied. He describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of a country and continent. These works present a portrait of a giant in African literature, who left a tremendous legacy.

Charles Dickens’s Great Expectations charts the course of orphan Pip Pirrip’s life as it is transformed by a vast, mysterious inheritance. A terrifying encounter with the escaped convict Abel Magwitch in a graveyard on the wild Kent marshes; a summons to meet the bitter, decrepit Miss Havisham and her beautiful, cold-hearted ward Estella at Satis House; the sudden generosity of a mysterious benefactor – these form a series of events that change the orphaned Pip’s life forever, and he eagerly abandons his humble station as an apprentice to blacksmith Joe Gargery, beginning a new life as a gentleman.

Charles Dickens’s haunting late novel depicts Pip’s education and development through adversity as he discovers the true nature of his identity, and his ‘great expectations’. This definitive version uses the text from the first published edition of 1861. It includes a map of Kent in the early nineteenth century, and appendices on Dickens’s original ending and his working notes, giving readers an illuminating glimpse into the mind of a great novelist at work.

In 1558, the ancient stones of Kingsbridge Cathedral look down on a city torn apart by religious conflict. As power in England shifts precariously between Catholics and Protestants, royalty and commoners clash, testing friendship, loyalty, and love.

Ned Willard wants nothing more than to marry Margery Fitzgerald. But when the lovers find themselves on opposing sides of the religious conflict dividing the country, Ned goes to work for Princess Elizabeth. When she becomes queen, all Europe turns against England. The shrewd, determined young monarch sets up the country’s first secret service to give her early warning of assassination plots, rebellions, and invasion plans. Over a turbulent half century, the love between Ned and Margery seems doomed as extremism sparks violence from Edinburgh to Geneva. Elizabeth clings to her throne and her principles, protected by a small, dedicated group of resourceful spies and courageous secret agents.

The real enemies, then as now, are not the rival religions. The true battle pitches those who believe in tolerance and compromise against the tyrants who would impose their ideas on everyone else—no matter what the cost.

Set during one of the most turbulent and revolutionary times in history, A Column of Fire is one of Follett’s most exciting and ambitious works yet. It will delight longtime fans of the Kingsbridge series and is the perfect introduction for readers new to Ken Follett.

In a manor by the sea, twelve sisters are cursed.

Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of the girls’ lives have been cut short. Each death was more tragic than the last–the plague, a plummeting fall, a drowning, a slippery plunge–and there are whispers throughout the surrounding villages that the family is cursed by the gods.

Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that her sister’s deaths were no accidents. The girls have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn’t sure whether to try to stop them or to join their forbidden trysts. Because who–or what–are they really dancing with?

When Annaleigh’s involvement with a mysterious stranger who has secrets of his own intensifies, it’s a race to unravel the darkness that has fallen over her family–before it claims her next. House of Salt and Sorrows is a spellbinding novel filled with magic and the rustle of gossamer skirts down long, dark hallways. Be careful who you dance with…