Shop

Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist, and a gatherer of literary communities. Before his tragic death in 2019 at the age of forty-eight, he won the Caine Prize for African Writing and was named one of Time’s 100 Most Influential People. His wildly popular essay “How to Write About Africa,” an incisive and unapologetic piece that exposed the harmfully racist ways Western media depicts Africa, with implicit bias and subjective clichés, changed the game for African writers and helped set the stage for a new generation of authors, from Chimamanda Ngozi Adichie to Yaa Gyasi.

When Wainaina published a “lost chapter” of his 2011 memoir as an essay called “I Am a Homosexual, Mum,” in which he imagines coming out to his mother, he became a voice for the queer, African community as well, adding a new layer to how African sexuality is perceived.

How to Write About Africa celebrates this legacy in a collection of imaginative essays and short fiction about sexuality, art, history, and contemporary Africa. Wainaina’s writing is playful, robust, generous and full-bodied. He describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of a country and continent. These works present a portrait of a giant in African literature, who left a tremendous legacy.

In 1558, the ancient stones of Kingsbridge Cathedral look down on a city torn apart by religious conflict. As power in England shifts precariously between Catholics and Protestants, royalty and commoners clash, testing friendship, loyalty, and love.

Ned Willard wants nothing more than to marry Margery Fitzgerald. But when the lovers find themselves on opposing sides of the religious conflict dividing the country, Ned goes to work for Princess Elizabeth. When she becomes queen, all Europe turns against England. The shrewd, determined young monarch sets up the country’s first secret service to give her early warning of assassination plots, rebellions, and invasion plans. Over a turbulent half century, the love between Ned and Margery seems doomed as extremism sparks violence from Edinburgh to Geneva. Elizabeth clings to her throne and her principles, protected by a small, dedicated group of resourceful spies and courageous secret agents.

The real enemies, then as now, are not the rival religions. The true battle pitches those who believe in tolerance and compromise against the tyrants who would impose their ideas on everyone else—no matter what the cost.

Set during one of the most turbulent and revolutionary times in history, A Column of Fire is one of Follett’s most exciting and ambitious works yet. It will delight longtime fans of the Kingsbridge series and is the perfect introduction for readers new to Ken Follett.

An MI6 operative is found dead, locked in a suitcase inside his own apartment. Despite an exhaustive search, no fingerprints are found at the scene. Emma Makepeace and her handler, Ripley, know an assassination when they see one, and such an obvious murder can mean only one thing: Someone is sending a message.

As she digs into his past, Emma discovers that the unfortunate spy had been investigating two Russian oligarchs based in London. He’d become obsessed with the idea that the two were spies, aided by a third man—whose identity he had yet to uncover. When he shared his findings within MI6 in the weeks before he died, the response came back fast and clear: Drop the investigation and move on. Had he uncovered a secret that cost him his life?

To pick up where he left off without ending up in a suitcase of her own, Emma goes undercover on one of the oligarch’s million-dollar yachts, scheduled to set sail from the Côte d’Azur to Monaco. Under other circumstances, this would be a dream vacation. But if Emma’s real identity gets discovered, it’s a death sentence.

As Emma’s work reveals secrets she’d be safer not knowing, the danger ratchets up. The killer may be closer to home than any of them imagined, and Emma won’t be safe until he—or she—is caught.