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Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their talents and keep them down. Women sent cables, made dead drops, and maintained the agency’s secrets. Despite discrimination—even because of it—women who started as clerks, secretaries, or unpaid spouses rose to become some of the CIA’s shrewdest operatives.

They were unlikely spies—and that’s exactly what made them perfect for the role. Because women were seen as unimportant, pioneering female intelligence officers moved unnoticed around Bonn, Geneva, and Moscow, stealing secrets from under the noses of their KGB adversaries. Back at headquarters, women built the CIA’s critical archives—first by hand, then by computer. And they noticed things that the men at the top didn’t see. As the CIA faced an identity crisis after the Cold War, it was a close-knit network of female analysts who spotted the rising threat of al-Qaeda—though their warnings were repeatedly brushed aside.

After the 9/11 attacks, more women joined the agency as a new job, targeter, came to prominence. They showed that data analysis would be crucial to the post-9/11 national security landscape—an effort that culminated spectacularly in the CIA’s successful effort to track down bin Laden in his Pakistani compound.

Propelled by the same meticulous reporting and vivid storytelling that infused Code Girls, The Sisterhood offers a riveting new perspective on history, revealing how women at the CIA ushered in the modern intelligence age, and how their silencing made the world more dangerous

For over a century, The New York Times has been an iconic institution in American journalism, one whose history is intertwined with the events that it chronicles—a newspaper read by millions of people every day to stay informed about events that have taken place across the globe.

In The Times, Adam Nagourney, who’s worked at The New York Times since 1996, examines four decades of the newspaper’s history, from the final years of Arthur “Punch” Sulzberger’s reign as publisher to the election of Donald Trump in November 2016. Nagourney recounts the paper’s triumphs—the coverage of September 11, the explosion of the U.S. Challenger, the scandal of a New York governor snared in a prostitution case—as well as failures that threatened the paper’s standing and reputation, including the discredited coverage of the war in Iraq, the resignation of Judith Miller, the plagiarism scandal of Jayson Blair, and the high-profile ouster of two of its executive editors.

Drawing on hundreds of interviews and thousands of documents and letters contained in the newspaper’s archives and the private papers of editors and reporters, The Times is an inside look at the essential years that shaped the newspaper. Nagourney paints a vivid picture of a divided newsroom, fraught with tension as it struggled to move into the digital age, while confronting its scandals, shortcomings, and swelling criticism from conservatives and many of its own readers alike. Along the way we meet the memorable personalities—including Abe Rosenthal, Max Frankel, Howell Raines, Joe Lelyveld, Bill Keller, Jill Abramson, Dean Baquet, Punch Sulzberger and Arthur Sulzberger Jr.—who shaped the paper as we know it today. We see the battles between the newsroom and the business operations side, the fight between old and new media, the tension between journalists who tried to hold on to the traditional model of a print newspaper and a new generation of reporters who are eager to embrace the new digital world.

Immersive, meticulously researched, and filled with powerful stories of the rise and fall of the men and women who ran the most important newspaper in the nation, The Times is a definitive account of the most pivotal years in New York Times history.