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An electrifying work of literary suspense from internationally bestselling author Katrine Engberg, The Tenant—heralded as a “stunning debut” by #1 New York Times bestselling author Kathy Reichs—follows two Copenhagen police detectives struggling to solve a shocking murder and stop a killer hell-bent on revenge.

When a young woman is discovered brutally murdered in her own apartment with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous.

But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings.

Evocative and original, The Tenant promises “dark family secrets—and a smorgasbord of surprises”

When Alice and Leo move into a newly renovated house in The Circle, a gated community of exclusive houses, it is everything they’ve dreamed of. But appearances can be deceptive…

As Alice is getting to know her neighbours, she discovers a devastating secret about her new home, and begins to feel a strong connection with Nina, the therapist who lived there before.

Alice becomes obsessed with trying to piece together what happened two years before. But no one wants to talk about it. Her neighbors are keeping secrets and things are not as perfect as they seem…

It wouldn’t be a country house weekend without a little murder. . .

Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation. A contemporary mystery with a Golden Age feel, perfect for fans of Agatha Christie and Jessica Fellowes – and Janice Hallett and Richard Osman, of course!

In attendance at Aldermere: the VIP fans, staying at house; the fan club president turned convention organizer; the team behind the newest movie adaptation of Davenport’s books; the Davenport family themselves; and the three actresses famous for portraying Dahlia Lively through the decades.

There is national treasure Rosalind King, from the original movies, who’s feeling sensitive that she’s past her prime, TV Dahlia for thirteen seasons, Caro Hooper, who believes she really IS Dahlia Lively, and ex-child star Posy Starling, fresh out of the fame wilderness (and rehab) to take on the Dahlia mantle for the new movie – but feeling outclassed by her predecessors.

Each actress has her own interpretation of the character and her own secrets to hide – but this English summer weekend they will have to put aside their differences as the crimes at Aldermere turn anything but cosy.

When fictional death turns into real bodies, can the three Dahlias find the answers to the murders among the fans, the film crew and the family – or even in Lettice’s books themselves?

Long-standing tensions between a husband, his wife, and her best friend finally come to a breaking point in this sharp domestic comedy of manners, told brilliantly over the course of one day.

What if the two most important people in your life hated each other with a passion?

The wife has it all. A big house in a nice neighbourhood, a ride-or-die snarky friend with whom to laugh about facile men, and an affectionate husband who loves her above all else. The only thing missing from this portrait is a baby. But motherhood is a serious undertaking, especially for the wife who has valued her selfhood above all else.

On a seemingly normal day, the best friend comes over to spend a lazy afternoon with the wife. But when the husband comes home and a series of confessions are made that threaten to throw everything off balance, the wife’s two confidantes are suddenly forced to jockey for their positions. Told in three taut, mesmerizing parts—the wife, the husband, the best friend—the day quickly unfolds to show how the trio’s dented visions of each other finally unravel, throwing everyone’s integrity into question – and their long-drawn-out territorial dance, carefully constructed over pivotal years, into utter chaos.

At once subversively comical, wildly astute, and painfully compulsive, The Three of Us explores cultural truths, what it means to defy them, and the fine line between compromise and betrayal, ultimately asking: who are we if not for the stories we tell ourselves about ourselves, and the people we’re meant to love?