For a country where heroes are hardly celebrated and epic football is almost forgotten, this book takes the reader on an enthralling historical excursion. The most detailed and certainly the best written account of the pre-Independence history of Nigerian football. Wiebe Boer has combined facts and figures with fluid prose in delivering a most engaging narration.
Meet the Hanrahan family, gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art – the first in many decades – and one he is sure will burnish his reputation for good.
His three children will be there: beautiful Leah, always her father’s biggest champion; sensitive Patrick, who has finally decided to strike out on his own; and insecure Jess, the youngest, who has her own momentous decision to make . . .
And what of Lucia, Ray’s steadfast and selfless wife? She is an artist, too, but has always had to put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must finally make a choice.
The longer the marriage, the harder truth becomes . . .
Tracker is known far and wide for his skills as a hunter: “He has a nose,” people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.
As Tracker follows the boy’s scent—from one ancient city to another; into dense forests and across deep rivers—he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?
In a difficult, uncertain time, it takes a person of great courage, such as the Dalai Lama, to give us hope. Regardless of the violence and cynicism we see on television and read about in the news, there is an argument to be made for basic human goodness. The number of people who spend their lives engaged in violence and dishonesty is tiny compared to the vast majority who would wish others only well. According to the Dalai Lama, our survival has depended and will continue to depend on our basic goodness. Ethics for the New Millennium presents a moral system based on universal rather than religious principles. Its ultimate goal is happiness for every individual, irrespective of religious beliefs. Though he himself a practicing Buddhist, the Dalai Lama’s teachings and the moral compass that guides him can lead each and every one of us—Muslim, Christian, Jew, Buddhist, or atheist—to a happier, more fulfilling life.
Twelve years in America and Eziafa Okereke has nothing to show for it. Desperate to re-write his story, Eziafa returns to Nigeria to find a woman he can mold to his taste. Eighteen-year-old Zina has big dreams. An arranged marriage to a much older man isn’t one of them. Trapped by family expectations, Zina marries Eziafa, moves to Houston, and trains as a nurse. Buffeted by a series of disillusions, the couple stagger through a turbulent marriage until Zina decides to change the rules of engagement.
In the 1970s Bruce Lee emerged as the world’s greatest fighting star – an accolade he has kept ever since. He battled to succeed in America in spite of the racial prejudice that denied him a starring role, eventually making films in Hong Kong that turned him into a star – the highest-paid movie star of his day. His controversial death, at the age of thirty-two when he was at the height of his powers, has given him a James-Dean style enduring appeal.
In Bruce Lee – Fighting Spirit, Bruce Thomas has written a complete account not only of Lee’s life and death, but of the fighting philosophy he developed (jeet kune do) which made him the greatest exponent of martial arts in modern times. In this updated edition he reassesses Lee’s skills and examines the enduring impact of his legacy – on action films and martial arts today. As an icon Bruce Lee’s popularity continues to grow and this book is a fitting tribute to an extraordinary man whose achievements have never been surpassed.
These hilarious and vicious two plays examine the corruption of Nigerian society through a study of the rise and fall of one of its self-made charismatic preachers.
A Play of Giants is a savage satire on some of the best-known dictators of our time (including Idi Amin); it brings together a group of dictatorial African leaders at bay in an embassy in New York attempting to make decisions together.
There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother’s paintings and a drop of Jam’s blood, she must reconsider what she’s been told. Pet has come to hunt a monster—and the shadow of something grim lurks in Redemption’s house. Jam must fight not only to protect her best friend, but also uncover the truth, and the answer to the question—How do you save the world from monsters if no one will admit they exist?
Chinua Achebe is considered the father of modern African literature, the writer who “opened the magic casements of African fiction.” The African Trilogy–comprised of Things Fall Apart, Arrow of God, and No Longer at Ease–is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire.
The trilogy opens with the groundbreaking Things Fall Apart, the tale of Okonkwo, a hero in his village, whose clashes with missionaries–coupled with his own tragic pride–lead to his fall from grace. Arrow of God takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in No Longer at Ease, Okonkwo’s grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite.
Drawing on the traditional Igbo tales of Achebe’s youth, The African Trilogy is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, “African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed.”
The year 2020 triggered consumers to re-evaluate their relationship with brands in general, leading to customers prioritizing those seen to be ‘doing good’ or ‘being helpful’ in the context of the pandemic. There is a strong sentiment that businesses have a big part to play in helping society recover and a purpose-driven organization will likely have the edge. In the midst of a year of crisis, there is an opportunity for companies to re-evaluate how their businesses operate. The power to act with integrity is the key to developing this culture.
Drawing on his background as former General Counsel for Airbnb, Rob Chesnut explains the rationale and legal context for the ethics and practices, and presents scenarios to illuminate the nuances of thinking deeply and objectively about workplace culture. Intentional Integrity is the handbook to revolutionizing your workplace by providing the right environment for people to do good work.
When his girlfriend throws him out during the pandemic, Bambi has to go to his Uncle’s house in lock-down Lagos. He arrives during a blackout, and is surprised to find his Aunty Bidemi sitting in a candlelit room with another woman. They both claim to be the mother of the baby boy, fast asleep in his crib.
At night Bambi is kept awake by the baby’s cries, and during the day he is disturbed by a cockerel that stalks the garden. There is sand in the rice. A blood stain appears on the wall. Someone scores tribal markings into the baby’s cheeks. Who is lying and who is telling the truth?
1866, Cuba: María Isabel is the only woman employed at a cigar factory, where each day the workers find strength in daily readings of Victor Hugo. But these are dangerous political times, and as María begins to see marriage and motherhood as her only options, the sounds of war are approaching.
1959, Cuba: Dolores watches her husband make for the mountains in answer to Fidel Castro’s call to arms. What Dolores knows, though, is that to survive, she must win her own war, and commit an act of violence that threatens to destroy her daughter Carmen’s world.
2016, Miami: Carmen, still wrestling with the trauma of displacement, is shocked when her daughter Jeanette announces her plans to travel to Cuba to see her grandmother Dolores. In the walls of her crumbling home lies a secret, one that will link Jeanette to her past, and to this fearless line of women.
From nineteenth-century cigar factories to present-day detention centres, from Cuba to the United States to Mexico, Gabriela Garcia’s Of Women and Salt follows Latina women of fierce pride, bound by the stories passed between them. It is a haunting meditation on the choices of mothers and the tenacity of women who choose to tell their truth despite those who wish to silence them.
Nkechi, Yeni, and Tale all want the same thing: children of their own. But with each passing year, their dreams turn into nightmares of a future they never anticipated. Infertility is the unwanted guest in their homes, mocking all their efforts and feeding on their misery.
But these three women are fighters. They will not stop or back down – no power is too heavy and no strangeness too unacceptable in their quest.
The Waiting Room is a place of unusual strength and courage.
Bestselling authors Margaret Stohl and Melissa de la Cruz bring us a romantic retelling of Little Women starring Jo March and her best friend, the boy next door, Theodore “Laurie” Laurence.
1869, Concord, Massachusetts: After the publication of her first novel, Jo March is shocked to discover her book of scribbles has become a bestseller, and her publisher and fans demand a sequel. While pressured into coming up with a story, she goes to New York with her dear friend Laurie for a week of inspiration–museums, operas, and even a once-in-a-lifetime reading by Charles Dickens himself!
But Laurie has romance on his mind, and despite her growing feelings, Jo’s desire to remain independent leads her to turn down his heartfelt marriage proposal and sends the poor boy off to college heartbroken. When Laurie returns to Concord with a sophisticated new girlfriend, will Jo finally communicate her true heart’s desire or lose the love of her life forever?
This series provides a captivating way for children to learn about Nigeria. Complete with colourful illustrations, the series starts with a brief history of the Niger Area, its people, early culture and tribal dynasties. It delves further into the colonial era, Nigerian pioneers and past leaders of both democratic and military administrations. The final book explores the people, foods and places in Nigeria.
