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Discovering a body on her property presents Lady Abigail Worthing with more than one pressing problem. The victim is Juliet, the wife of her neighbor, Stapleton Henderson. Although Abigail has little connection with the lady in question, she expects to be under suspicion. Abigail’s skin color and her mother’s notorious past have earned her a certain reputation among the ton, and no amount of wealth or status will eclipse it.

Abigail can’t divulge that she was attending a secret pro-abolition meeting at the time of the murder. To her surprise, Henderson offers her an alibi. Though he and Juliet were long estranged, and she had a string of lovers, he feels a certain loyalty to his late wife. Perhaps together, he and Abigail can learn the truth.

Abigail, whose marriage to Lord Worthing was not a love match, knows well how appearances can deceive. For all its surface elegance, London’s high society can be treacherous. Yet who in their circle would have killed Juliet, and why? Taking the reins of her life in a way she never has before, Abby intends to find out—but in the process she will uncover more danger than she ever imagined . . .

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.

Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both.

Tanzania, 1964. When Katie Barstow, A-list actress, and her new husband, David Hill, decide to bring their Hollywood friends to the Serengeti for their honeymoon, they envision giraffes gently eating leaves from the tall acacia trees, great swarms of wildebeests crossing the Mara River, and herds of zebras storming the sandy plains. Their glamorous guests—including Katie’s best friend, Carmen Tedesco, and Terrance Dutton, the celebrated Black actor who stars alongside Katie in the highly controversial film Tender Madness—will spend their days taking photos, and their evenings drinking chilled gin and tonics back at camp, as the local Tanzanian guides warm water for their baths. The wealthy Americans expect civilized adventure: fresh ice from the kerosene-powered ice maker, dinners of cooked gazelle meat, and plenty of stories to tell over lunch back on Rodeo Drive.

What Katie and her glittering entourage do not expect is this: a kidnapping gone wrong, their guides bleeding out in the dirt, and a team of Russian mercenaries herding their hostages into Land Rovers, guns to their heads. As the powerful sun gives way to night, the gunmen shove them into abandoned huts and Katie Barstow, Hollywood royalty, prays for a simple thing: to see the sun rise one more time. A blistering story of fame, race, love, and death set in a world on the cusp of great change, The Lioness is a vibrant masterpiece from one of our finest storytellers.