A picture book showing works of fine art that are being privately held by art collectors in Lagos, Nigeria. Information on the history of the works, the artists, and collectors are also provided.
In 1975, Ray Dalio founded an investment firm, Bridgewater Associates, out of his two-bedroom apartment in New York City. Forty years later, Bridgewater has made more money for its clients than any other hedge fund in history and grown into the fifth most important private company in the United States, according to Fortune magazine. Dalio himself has been named to Time magazine’s list of the 100 most influential people in the world. Along the way, Dalio discovered a set of unique principles that have led to Bridgewater’s exceptionally effective culture, which he describes as “an idea meritocracy that strives to achieve meaningful work and meaningful relationships through radical transparency.” It is these principles, and not anything special about Dalio—who grew up an ordinary kid in a middle-class Long Island neighborhood—that he believes are the reason behind his success.
In Principles, Dalio shares what he’s learned over the course of his remarkable career. He argues that life, management, economics, and investing can all be systemized into rules and understood like machines. The book’s hundreds of practical lessons, which are built around his cornerstones of “radical truth” and “radical transparency,” include Dalio laying out the most effective ways for individuals and organizations to make decisions, approach challenges, and build strong teams. He also describes the innovative tools the firm uses to bring an idea meritocracy to life, such as creating “baseball cards” for all employees that distill their strengths and weaknesses, and employing computerized decision-making systems to make believability-weighted decisions. While the book brims with novel ideas for organizations and institutions, Principles also offers a clear, straightforward approach to decision-making that Dalio believes anyone can apply, no matter what they’re seeking to achieve.
One of the most momentous stories of the last century is China’s rise from a self-satisfied, anti-modern, decaying society into a global power that promises to one day rival the United States. Chiang Kai-shek, an autocratic, larger-than-life figure, dominates this story. A modernist as well as a neo-Confucianist, Chiang was a man of war who led the most ancient and populous country in the world through a quarter century of bloody revolutions, civil conflict, and wars of resistance against Japanese aggression.
In 1949, when he was defeated by Mao Zedong―his archrival for leadership of China―he fled to Taiwan, where he ruled for another twenty-five years. Playing a key role in the cold war with China, Chiang suppressed opposition with his “white terror,” controlled inflation and corruption, carried out land reform, and raised personal income, health, and educational levels on the island. Consciously or not, he set the stage for Taiwan’s evolution of a Chinese model of democratic modernization.
Drawing heavily on Chinese sources including Chiang’s diaries, The Generalissimo provides the most lively, sweeping, and objective biography yet of a man whose length of uninterrupted, active engagement at the highest levels in the march of history is excelled by few, if any, in modern history. Jay Taylor shows a man who was exceedingly ruthless and temperamental but who was also courageous and conscientious in matters of state. Revealing fascinating aspects of Chiang’s life, Taylor provides penetrating insight into the dynamics of the past that lie behind the struggle for modernity of mainland China and its relationship with Taiwan.
The 21st century began optimistically in Latin America. Left-leaning leaders armed with programs to reduce poverty and reclaim national wealth were seeing results—but as the aughts gave way to the teens, they began to fall like dominos. Where did the dreams of this “pink tide” go? Look no further than the original culprits of Latin American disenfranchisement: resource-rich land and unscrupulous extraction.
Recounting the story commodity by commodity, Andy Robinson reveals what oxen have to do with the rise of Jair Bolsonaro, how quinoa explains the mob that descended on Evo Morales, and why oil is the culprit behind the protracted coup in Venezuela. In addition to the usual suspects like gold and bananas which underscored the original plunder of the Americas, Robinson also shows how a new generation of valuable resources—like coltan for smartphones, lithium for electric cars, and niobium for SpaceX rockets—have become important players in the fate of Latin America. And as the energy transition sets mineral prices soaring, Latin America remains at the mercy of the rollercoaster of commodity prices.
In Gold, Oil, and Avocados, Robinson takes readers from the salt plains of Chile to the depths of the Amazonian jungle to stitch together the story of Latin America’s last decade, showing how the imperial plunder of the past carries on today under a new name.
Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish. Decades later, Kostas returns. He is a botanist looking for native species, but really, he’s searching for lost love.
Years later a Ficus carica grows in the back garden of a house in London where Ada Kazantzakis lives. This tree is her only connection to an island she has never visited— her only connection to her family’s troubled history and her complex identity as she seeks to untangle years of secrets to find her place in the world.
A moving, beautifully written, and delicately constructed story of love, division, transcendence, history, and eco-consciousness, The Island of Missing Trees is Elif Shafak’s best work yet.
The book (Reel Life) published under the imprint of SQS Publishing chronicles the history of public broadcasting service in Africa from a Nigerian perspective based on the working and personal account of the author, Engr. Vincent Maduka, as former General Manager of WNTV, 1973-1977; the 1st Director-General of the Nigerian Television Authority, 1977-1986; and, a lesser extent as pioneer Consultant/CEO of Nigerian Communications Commission(NCC).
Reel Life is reported to be a masterpiece on Nigeria’s broadcasting history, bold and transparent public leadership, governance and finance of a public organization, and television content as a tool for forging national unity and a catalyst for national mass mobilization and social change. It is regarded as a must-read for all followers and students of mass communication, history, politics, and leadership in Nigeria
Is it possible to do something more meaningful than mothering?
As a young Catholic girl who grew up in the American Midwest on white bread and Jesus, Erin S. Lane was given two options for a life well-lived: Mother or Mother Superior. She could marry a man and mother her own children, or she could marry God, so to speak, and mother the world’s children. Both were good outcomes for someone else’s life. Neither would fit the shape of hers.
Interweaving Lane’s story with those of other women—including singles and couples, stepparents and foster parents, the infertile and the ambivalent—Someone Other Than a Mother challenges the social scripts that put moms on an impossible pedestal and shame childless women and nontraditional families for not measuring up. You may have heard these lines before:
– “Motherhood is the toughest job.” This script diminishes the work of non-moms and pressures moms to make parenting their full-time gig.
– “It’ll be different with your own.” This script underestimates the love of nonbiological kin and pushes unfair expectations onto nuclear families.
– “Family is the greatest legacy.” This script turns children into the ultimate sign of a woman’s worth and discounts the quieter ways we leave our mark.
With candor and verve, Someone Other Than a Mother tears up the shaming social scripts that are bad for moms and non-moms alike and rewrites the story of a life well-lived, one in which purpose is bigger than body parts, identity is fuller than offspring, and legacy is so much more than DNA.
It’s watching.
Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the day of the wedding, somewhere between dancing and dessert, the couple’s daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.
It’s taking.
As a frantic search begins, with the police combing the trees for Caroline, Liz is the only one who notices a pattern: A summer night. A missing girl. A party in the woods. She’s seen this before. Keisha Woodson, the only other Black girl in Liz’s high school, walked into the woods with a mysterious man and was later found with her chest cavity ripped open and her heart removed. Liz shudders at the thought that it could have been her, and now, with Caroline missing, it can’t be a coincidence. As Liz starts to dig through the town’s history, she uncovers a horrifying secret about the place she once called home. Children have been going missing in these woods for years. All of them Black. All of them girls.
It’s your turn.
With the evil in the forest creeping closer, Liz knows what she must do: find Caroline, or be entirely consumed by the darkness.
Luci LaBang is a star: For decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit musical. But as time takes its toll, Luci fears her star is beginning to dim.
When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene: Luda, whose fantastical beauty and sinister charm infatuate Luci immediately . . . and who bears a striking resemblance to Luci herself at a much younger age.
Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, a mysterious discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects.
But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well . . . and exploited it to achieve her dark ambitions.
What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the brightest star of them all.
In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives.
Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress.
Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.
The Song of Significance is a rousing contemplation on work: why it is the way it is, why it’s gotten so bad, what all of us–especially leaders–can do to make it better.
Economic instability and the rise of remote work have left us disconnected and disengaged. Alarmed managers are responding with harsh top-down edicts, layoffs, surveillance and mandatory meetings. Workers are responding by quiet quitting and working their wage. But it doesn’t have to be this way.
Through 144 provocative stanzas, legendary business author Seth Godin gets to the heart of what ails us; he shows what’s really at the root of these trends, and challenges us to do better in ways that matter.
The choice is simple. We can endure the hangover of industrial capitalism, keep treating people as disposable, and join in the AI-fueled race to the bottom. Or we come together to build a significant organization that enrolls, empowers, and trusts everyone to deliver their best work, no matter where they are.
This is a book to share with bosses and co-workers, to discuss and put to action. No matter what our role, it’s within our power to change. Because, as Godin writes, “Humans aren’t a resource. They are the point.”
This book is about pleasure. It’s also about pain. Most important, it’s about how to find the delicate balance between the two, and why now more than ever finding balance is essential. We’re living in a time of unprecedented access to high-reward, high-dopamine stimuli: drugs, food, news, gambling, shopping, gaming, texting, sexting, Facebooking, Instagramming, YouTubing, tweeting . . . The increased numbers, variety, and potency is staggering. The smartphone is the modern-day hypodermic needle, delivering digital dopamine 24/7 for a wired generation. As such, we’ve all become vulnerable to compulsive overconsumption.
In Dopamine Nation, Dr. Anna Lembke, psychiatrist and author, explores the exciting new scientific discoveries that explain why the relentless pursuit of pleasure leads to pain . . . and what to do about it. Condensing complex neuroscience into easy-to-understand metaphors, Lembke illustrates how finding contentment and connectedness means keeping dopamine in check. The lived experiences of her patients are the gripping fabric of her narrative. Their riveting stories of suffering and redemption give us all hope for managing our consumption and transforming our lives. In essence, Dopamine Nation shows that the secret to finding balance is combining the science of desire with the wisdom of recovery.
She’s the Pearl of Makoko and the world is her oyster.
In Makoko, the floating slum off mainland Lagos, Nigeria, nineteen-year-old Baby yearns for an existence where she can escape the future her father has planned for her. With opportunities scarce, Baby jumps at the chance to join a newly launched drone-mapping project, aimed at broadening the visibility of her community. Then a video of her at work goes viral and Baby finds herself with options she could never have imagined – including the possibility of leaving her birthplace to represent Makoko on the world stage. But will life beyond the lagoon be everything she’s dreamed of? Or has everything she wants been in front of her all along?
Biodun ‘BG’ Gomez faces a bleak Christmas season in Lagos. Her rent is months overdue. Her job as an OAP at Reel FM is precarious. Her co-host who she has a crush on, sees her as a friend. Instead of romance, she gets an unsolicited wink from a bus conductor at Ketu Bus Stop. She needs a Christmas miracle.
Kunle Bakare was indifferent about his reputation as a lady-killer: sometimes, he played into it. But he worked hard to stop being that man five years ago. Now, he wants to be seen as a C-suite executive who earned his seat without his family’s influence. So, he must win enough votes with Falcon PLC’s board to succeed his mother as the CEO.
Biodun and Kunle are haunted by a secret from twelve years ago that shames them both. Now, mutual enemies hidden in plain sight, reveal that secret to the world: it becomes a scandal that threatens the future of Reel FM, the growth of Falcon, their career aspirations, and fates they don’t know are intertwined.
A Very Gidi Christmas is a gift of resilience, ambition, and forgotten love wrapped in a sexy bow.
Lives intersect for a young woman on a quest for revenge and a family man with a violent past in this haunting and provocative novel by the author of Such a Beautiful Thing to Behold.
In Jos, Nigeria, Dareng Pamson is slowly winning back the trust of his pregnant wife after his infidelity shook their marriage. When a young Muslim woman comes in out of the rain looking for work in Dareng’s auto repair shop, Dareng cautiously agrees—against his better judgment. She’s passionate and willing to learn. Besides, it’s time he started doing things differently.
After being back in her hometown for only a week, Murmula Denge finds who she’s looking for: Dareng, the Christian man whose cold-hearted ambition and greed shattered her family. At first, she wants only to destroy his tenuous peace by introducing chaos. Until Murmula realises that for true closure and justice, she must go to extremes. Blood for blood.
Neither is prepared for the mysterious turning point that changes their lives forever. As they navigate the quandary of faith and the strange new ties that bind them, coming to terms with the past is only the beginning.
Some secrets are deadlier than others
On the night she turned fifty-two, Sayo Dosumu’s car tumbled off Falomo Bridge, killing her instantly. Two years later, her presence still overshadows the lives of those she left behind. When her daughter receives a text message insinuating her mother’s death might have been murder, she is determined to uncover the truth. At a weekly family dinner, she soon discovers that everyone in the family—her billionaire father, his perfect new wife, the party-animal heir, the nerdy last son—has a secret they want to keep hidden, and exposing these secrets would set off a chain of events that challenges everything they thought they knew.
