An African Night’s Entertainment
₦1,500.00An Africa Night’s Entertainment is a story of a search for vengeance. Abu searched far and wide for someone who knows how to wreak vengeance when the girl he is to marry, married another man.
An Africa Night’s Entertainment is a story of a search for vengeance. Abu searched far and wide for someone who knows how to wreak vengeance when the girl he is to marry, married another man.
COVID-19 is reshaping and challenging governments, social order and the world economy in previously unimaginable ways–including changes to the illegal flow of goods and services. Livelihoods are shrinking or disappearing altogether, and mafias, gangsters and profiteers are adapting to find
new routes for illegal commodities, from counterfeit drugs to trafficked wildlife and people.
Shortages, lockdowns and citizen responses have brought the underworld and upperworld into greater convergence, as criminals strive to meet needs, maximize opportunities and fill governance vacuums. Unscrupulous fraudsters are touting fake remedies to desperate people: counterfeit drugs and illicit
wildlife used in traditional medicine. Social distancing and lockdowns have seen online financial transactions and cyber-communication and -operations replacing or supplementing physical shipments and interactions, again affording new opportunities for fraudsters and cyber-criminals. Heavy-handed
state responses have also, quite literally, created new illicit markets by prohibiting the sale of particular goods and services, while some elites have capitalized on the pandemic for personal or political gain.
The pandemic has cast a long shadow over the rule of law. Criminal Contagion uncovers its impacts on the global illicit economy, and unpacks the long-term implications of these extraordinary developments.
Africa is forever on our TV screens, but the bad-news stories (famine, genocide, corruption) massively outweigh the good (South Africa). Ever since the process of decolonialisation began in the mid-1950s, and arguably before, the continent has appeared to be stuck in a process of irreversible decline. Constant war, improper use of natural resources and misappropriation of revenues and aid monies contribute to an impression of a continent beyond hope. How did we get here?
What, if anything, is to be done? Weaving together the key stories and characters of the last fifty years into a stunningly compelling and coherent narrative, Martin Meredith has produced the definitive history of how European ideas of how to organise 10,000 different ethnic groups has led to what Tony Blair described as the ‘scar on the conscience of the world’. Authoritative, provocative and consistently fascinating, this is a major book on one of the most important issues facing the West today.
Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people.
Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation’s largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi’s move is a last-ditch effort to reclaim her social life.
A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury, and privilege—a life she’s not sure she wants—as the object of his unhealthy obsession.
And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny’s office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home.
Told through the perspectives of each of the three women, In Every Mirror She’s Black is a fast-paced, richly nuanced yet accessible contemporary novel that touches on important social issues of racism, classism, fetishization, and tokenism, and what it means to be a Black woman navigating a white-dominated society.
A truly multilingual volume of poetry that captures the times, legends and spaces of the city in the mellifluous tone of a court raconteur; Ilorin is the rational hybrid of cultures, its praise-song steeped in the invocation and evocation of indigenous,oriental and western traditions. Written in English, Yoruba and Hausa, the poems are carefully stringed in short spurts of epical quality.
The long-awaited autobiography of Howard Webb, the man who refereed the World Cup final.
Webb’s first game as a match official came when he was just 18 and his father’s verdict was blunt: ‘Useless – he doesn’t know his arse from his elbow.’ It wasn’t the last time his performance would come under fire. But Webb progressed through the ranks, and his natural calm authority made a good impression on players and administrators alike, and soon he was being offered the top matches and the toughest fixtures.
The policeman went on to take charge of some of the most important games, including the 2009 FA Cup final, the 2010 Champions League final and – the biggest of the lot – the 2010 World Cup final. Now, in this superb and frank memoir, Howard Webb reveals what it is like to be at the heart of the action in modern-day football where every decision can be unpicked by television cameras. He explains how he learned to handle some of the game’s superstars. Refereeing is a hard business, but Webb shows just why he enjoyed it so much and provides fascinating insights into how he dealt with the most challenging situations.
With his unique perspective, and the characteristic honesty and humour he has displayed as a pundit on BT Sport, Webb has written a book, updated for this edition, that reveals the game – and the man himself – in a new light.
Not every mistake deserves a consequence. Sometimes the only thing it deserves is forgiveness.
The Voss family is anything but normal. They live in a repurposed church, newly baptized Dollar Voss. The once cancer-stricken mother lives in the basement, the father is married to the mother’s former nurse, the little half-brother isn’t allowed to do or eat anything fun, and the eldest siblings are irritatingly perfect. Then, there’s Merit.
Merit Voss collects trophies she hasn’t earned and secrets her family forces her to keep. While browsing the local antiques shop for her next trophy, she finds Sagan. His wit and unapologetic idealism disarm and spark renewed life into her—until she discovers that he’s completely unavailable. Merit retreats deeper into herself, watching her family from the sidelines, when she learns a secret that no trophy in the world can fix.
Fed up with the lies, Merit decides to shatter the happy family illusion that she’s never been a part of before leaving them behind for good. When her escape plan fails, Merit is forced to deal with the staggering consequences of telling the truth and losing the one boy she loves.
Poignant and powerful, Without Merit explores the layers of lies that tie a family together and the power of love and truth.
Remi Coker and Nnamdi Okonkwo leave the shores of Nigeria full of hope in search of greener pastures in London. Remi from the prestigious Coker family is expected to return home after her law degree to run the family law firm and Nnamdi, frustrated by the federal university strikes plans to escape Nigeria and never return. The story follows their individual journies of newfound freedom, self-discovery, unexpected turns and the dilemma of whether to return home or stay in the United Kingdom.
Set in the wake of the Mau Mau rebellion and on the cusp of Kenya’s independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village’s chosen hero and a man haunted by a terrible secret. As we learn of the villagers’ tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.
A collection of the wildest conspiracies to ever exist, from mind control experiments to lizard people, this book explores, debunks—and sometimes proves—the secret stories that don’t quite make it into the history books.
What’s fact and what’s fiction? With conspiracy theories, sometimes it’s hard to get to the truth!
In Conspiracies Declassified, author and expert skeptic Brian Dunning explains fifty true stories of famous conspiracies throughout history. From the moon landing hoax, to chemtrails, to the mind control dangers of fluoride, Dunning is here to sort the truth from the lies to tell you what really happened.
BOXED CASE SERIES OF THE CLASSIC TITLES – AKE, IBADAN, ISARA AND THE MAN DIED BY THE NOBEL LAURETE WOLE SOYINKA. A COLLECTOR’S ITEM.
In the late 1960’s, Adah, a spirited and resourceful woman manages to move her family to London. Seeking an independent life for herself and her children she encounters racism and hard truths about being a new citizen.
From a suspiciously cheap Hell’s Kitchen walk-up, Nigerian editor and winner of a Toni Morrison Publishing Fellowship Ekong Udousoro is about to begin the opportunity of a lifetime: to learn the ins and outs of the publishing industry from its incandescent epicenter. While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly―callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food.
Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories.
Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.
As first son and graduate, Kingsley Ibe has a load of responsibilities resting on his skinny shoulders. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola his girlfriend, the sugar in Kingsley’s tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price.
But when Kingsley’s father falls sick, he becomes desperate to live up to his responsibilities. So he travels to Aba, to his wealthy uncle, ‘Cash Daddy’.
Under the avuncular wing of ‘Cash Daddy’, Kingsley is catapulted into the fast-money world of email scamming where he discovers a profitable talent for persuasive storytelling. But, as the stakes grow higher and Cash Daddy grows more ambitious, Kingsley begins to realise he is in way over his head and that, even in Nigeria, nothing comes for free . . .
I Do Not Come to You by Chance, a book which the author deems an idea that came before the novel, is one that through the Protagonist, Kingsley, attempts to explore the journey from good to bad and the blurred lines in between.
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?
Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.
Summoned to Evelyn’s luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the ‘80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn’s story near its conclusion, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.
The volume seeks to make a substantive contribution to contemporary global transformation debates in an era of “Rhodes Must Fall” and “Black Lives Matter.” It also aims to contribute to transforming fossilised Eurocentric curricula which have insisted for centuries that “dead white men” continue to occupy the central position in global epistemologies on almost every subject under the sun.