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It should have been the perfect spring break: Five girlfriends. A remote winery on the Oregon coast. An infinite supply of delicious wine at their manicured fingertips. But then their center—beautiful, magnetic Vanessa Morales—vanished without a trace.

Emily Fischer was perhaps the last person to see her alive. But now, years later, Emily spots Vanessa’s doppelganger at a local café. At the end of her rope working a lucrative yet mind-numbing gig on a network sitcom, Emily is inspired to finally tell the story that’s been percolating inside her for so long: Vanessa’s story. But first, she needs to know what really happened on that fateful night. So she puts a brilliant scheme into motion.

She gets the girls together for a reunion weekend at the scene of the crime under the guise of reconnecting. There’s Brittany, Vanessa’s cousin and the inheritor of the winery; Paige, a former athlete, bullish yet easily manipulated; and Lydia, the wallflower of the group.

One of them knows the truth. But what have they each been hiding? And how much can Emily trust anything she learns from them . . . or even her own memories of Vanessa’s last days?

Suspenseful, propulsive, and interspersed with scenes from Emily’s blockbuster screenplay, Scenes of the Crime is an unforgettable mystery that examines culpability, the shiny rearview mirror of Hollywood storytelling, and the pitfalls of female friendship.

In “The Boundary,” one family vacations in the Roman countryside, though we see their lives through the eyes of the caretaker’s daughter, who nurses a wound from her family’s immigrant past. In “P’s Parties,” a Roman couple, now empty nesters, finds comfort and community with foreigners at their friend’s yearly birthday gathering—until the husband crosses a line.

And in “The Steps,” on a public staircase that connects two neighborhoods and the residents who climb up and down it, we see Italy’s capital in all of its social and cultural variegations, filled with the tensions of a changing city: visibility and invisibility, random acts of aggression, the challenge of straddling worlds and cultures, and the meaning of home.

These are splendid, searching stories, written in Jhumpa Lahiri’s adopted language of Italian and seamlessly translated by the author and by Knopf editor Todd Portnowitz. Stories steeped in the moods of Italian master Alberto Moravia and guided, in the concluding tale, by the ineluctable ghost of Dante Alighieri, whose words lead the protagonist toward a new way of life.