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Ella Harper is a survivor—a pragmatic optimist. She’s spent her whole life moving from town to town with her flighty mother, struggling to make ends meet and believing that someday she’ll climb out of the gutter. After her mother’s death, Ella is truly alone.

That is until Callum Royal appears, plucking Ella out of poverty and tossing her into his posh mansion among his five sons who all hate her. Each Royal is more magnetic than the last, but none is as captivating as Reed Royal, the boy who is determined to send her back to the slums she came from.

Reed doesn’t want her. He says she doesn’t belong with the Royals.

He might be right.

Wealth. Excess. Deception. It’s like nothing Ella has ever experienced, and if she’s going to survive her time in the Royal palace, she’ll need to learn to issue her own Royal decrees.

The Demon Gods have risen. Skies’ End has fallen to the colonizers. And Lan and Zen have chosen sides.

But they will not fight together.

Though Lan inherited the power of the Silver Dragon, she understands the path she must take. She believes the Demon Gods to be the cause of war, conflict, and turmoil, and that the future of the Last Kingdom depends on their being eliminated forever. Worse, she knows that if the Elantians manage to bind one of the legendary beings, their army will be unstoppable. To save her kingdom and her people, Lan will need to find the only mythical weapon capable of destroying the Demon Gods: the Godslayer.

Zen is sure that the only way to free the Last Kingdom is to use the power of the Demon Gods. When he bound the Black Tortoise, he paid the ultimate price: to inherit its strength, he will forfeit his body, his mind, and his soul. Yet one Demon God is not enough against the might of the colonizers. In the ruins of the northern Mansorian lands slumbers a magical army of demonic practitioners capable of facing off against the Elantians—but Zen must find the Seal to awaken them to fight by his side.

At the center of both Lan’s and Zen’s journeys is one city: Shaklahira, a former stronghold of the Imperial Court that vanished without a trace when the Elantians invaded. Its location is a mystery, and both are sure that it holds the answers they need, but the past it hides might be more dangerous than anything they’ve faced yet.

The battle for the Last Kingdom rages on. But to win the war, Lan will have to decide: Can she face the boy she loves again? And when she does, can she kill him to free her people?

Crimson Peak meets The Sanatorium in The Resting Place, a heart-thumping, unforgettable novel of horror and suspense by international sensation Camilla Sten.

Deep rooted secrets.
A twisted family history.
And a house that will never let go.

Eleanor lives with prosopagnosia, the inability to recognize a familiar person’s face. It causes stress. Acute anxiety.

It can make you question what you think you know.

When Eleanor walked in on the scene of her capriciously cruel grandmother, Vivianne’s, murder, she came face to face with the killer―a maddening expression that means nothing to someone like her. With each passing day, the horror of having come so close to a murderer―and not knowing if they’d be back―overtakes both her dreams and her waking moments, thwarting her perception of reality.

Then a lawyer calls. Vivianne has left her a house―a looming estate tucked away in the Swedish woods. The place her grandfather died, suddenly. A place that has housed a chilling past for over fifty years.

Eleanor. Her steadfast boyfriend, Sebastian. Her reckless aunt, Veronika. The lawyer. All will go to this house of secrets, looking for answers. But as they get closer to uncovering the truth, they’ll wish they had never come to disturb what rests there.

When her missing husband is found dead in a car crash far from home, a charismatic actress must find out the truth in this utterly fresh take on the domestic suspense novel.

Sophie is an aspiring British Pakistani actress whose only claim to fame – despite her vast and unscrupulous ambitions – is the unplanned on-camera birth of her son, a clip which has become something of a cult favourite on the Indian B movie scene. Her husband, Tariq, is a pillar of Bradford’s Muslim community and her perfect match, until his sudden disappearance under mysterious circumstances. When a body is found, presumed to be his, but disfigured in a way that makes identification difficult, Sophie is distraught.

Tariq was her ‘third time lucky husband’. Her first, Amir, came out of a childhood sweetheart relationship that couldn’t last, and her rebound marriage to doting Faraz, a recent immigrant to the UK and obsessed with the Royal Family, was even shorter lived. Is Sophie just luckless or is there more to her than meets the eye? And maybe, just maybe, one of her exes has something to do with Tariq’s untimely death. Might one of them be responsible for the threatening letters? Sophie herself is guilty of something, but is murder part of her ambition?

In Sophie, Dar has created a flawed yet hypnotising female lead: a cunning, narcissistic character for fans of Gillian Flynn’s Gone Girl and Oyinkan Braithwaite’s My Sister the Serial Killer. It is just a matter of time before her intricate web of lies begins to draw tighter.