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The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender: In “Bridesmaid, Revisited,” Marlee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In “Twist and Shout,” Erica’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In “Turn Back, Turn Back,” a bedtime story coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in “561,” Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home. (“It’s like you’re North Korea and South Korea . . . But would North Korea help South Korea move?”)

Katherine Heiny, one of our most celebrated writers, our bard of waking up in the wrong bed, wearing the wrong shoes, running late for the wrong job, but loved by the right people, has delivered a collection of glorious humour and immense kindness.

A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy.

It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy’s weak link.

But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.

Two wolf shifters agree to be fake mates but unexpectedly find something real in this steamy paranormal romantic comedy by Lana Ferguson.

Mackenzie Carter has had some very bad dates lately. Model train experts, mansplainers, guys weirdly obsessed with her tail—she hasn’t had a successful date in months. Only a year out of residency, her grandmother’s obsession with Mackenzie finding the perfect mate to settle down with threatens to drive Mackenzie barking mad. Out of options, it feels like a small thing to tell her grandmother that she’s met someone. That is, until she blurts out the name of the first man she sees and the last man she would ever date: Noah Taylor, the big bad wolf of Denver General.

Noah Taylor, interventional cardiologist and all around grump, has spent his entire life hiding what he is. With outdated stigmas surrounding unmated alphas that have people wondering if they still howl at the moon, Noah has been careful to keep his designation under wraps. It’s worked for years, until an anonymous tip has everything coming to light. Noah is left with two options: come clean to the board and risk his career—or find himself a mate. The chatty, overly friendly ER doctor asking him to be her fake boyfriend on the same day he’s called to meet the board has to be kismet, right?

Mackenzie will keep her grandmother off her back, and Noah will get a chance to prove he can continue to work without a real mate—a mutually beneficial business transaction, they both rationalize. But when the fake-mate act turns into a very real friends-with-benefits arrangement, lines start to blur, and they quickly realize love is a whole different kind of animal.

Tori Moore, high school chemistry teacher, avid home baker, and soon-to-be empty nester, auditions for the American Bake-o-Rama TV competition at the urging of her twin teenagers. The prize money could allow her to finally open her own bakery, but plagued by self-doubt after a messy divorce, it’s not only money standing between Tori and her dreams.

Once on set in Sonoma wine country, Tori catches the eye of Kendra Campbell, the notoriously ruthless celebrity chef and Bake-o-Rama judge. This show is Kendra’s ticket to financial security, but she’s been told to soften her approach for viewers seeking feel-good entertainment—quite the task after years of fighting for space in a male-dominated industry.

Tori and Kendra find it increasingly hard to keep their distance through six slow-burn weeks of cooking challenges and kitchen disasters. For both, the best prize of all might just be love.