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Out-of-work actress Sloane Ford is in desperate need of something to do after losing her steady TV gig. When her famous family ropes her into working as a producer on their World War II-era romance, they neglect to mention that the film will be headlined by Joseph Donovan, her least favorite former co-star of all time. The roguish actor made her life a living hell the last time they worked together, using his movie star good looks and Irish charm to cover for his erratic professional behavior. On their new film set, he promises he’s different now, but Sloane is far from convinced.

As filming gets underway, it becomes clear that anything that can go wrong will go wrong. When the lead actress is abruptly fired, Sloane agrees to step in and take over the role, and she starts to remember why she fell in love with acting in the first place. On camera, she and Joseph share an electric chemistry. Off camera, they’ve been honing their characters and, much to Sloane’s surprise, growing closer. But playing the role of a woman in love with Joseph Donovan is a dangerous business, and the more time they spend together, the less Sloane can tell what’s real between them, and what’s just for show.

In Baxter’s Beach, Barbados, Lala’s grandmother Wilma tells the story of the one-armed sister, a cautionary tale about what happens to girls who disobey their mothers.

For Wilma, it’s the story of a wilful adventurer, who ignores the warnings of those around her, and suffers as a result.

When Lala grows up, she sees it offers hope – of life after losing a baby in the most terrible of circumstances and marrying the wrong man.

And Mira Whalen? It’s about keeping alive, trying to make sense of the fact that her husband has been murdered, and she didn’t get the chance to tell him that she loved him after all.

HOW THE ONE-ARMED SISTER SWEEPS HER HOUSE is the powerful, intense story of three marriages, and of a beautiful island paradise where, beyond the white sand beaches and the wealthy tourists, lies poverty, menacing violence and the story of the sacrifices some women make to survive.

Unlike most men of his acquaintance, Gregory Bridgerton is a firm believer in true love. He’d have to be an idiot not to be: all seven of his siblings are happily married. Gregory figures he is just biding his time until the right woman comes along. And so when he sees Hermione Watson, he knows with every fibre of his being, that she is meant to be his.

But through Hermione’s closest – and slightly less beautiful – friend, Lucy Abernathy, he finds out that Hermione is desperately in love with another man. Sadly, by the time Gregory figures out the right girl is actually the wrong girl, and the right girl was Lucy all along, it’s too late. Lucy is to marry another!

Now – on the way to the wedding – Gregory must figure out how to thwart the nuptials and convince Lucy that she was always meant to be his…

Gareth St. Clair is in a bind. His father, who detests him, is determined to beggar the St. Clair estates and ruin his inheritance. Gareth’s sole bequest is an old family diary, which may or may not contain the secrets of his past . . . and the key to his future. The problem is—it’s written in Italian, of which Gareth speaks not a word.

Meet Our Heroine . . .

All the ton agreed: there was no one quite like Hyacinth Bridgerton. She’s fiendishly smart, devilishly outspoken, and according to Gareth, probably best in small doses. But there’s something about her—something charming and vexing—that grabs him and won’t quite let go . . .

Meet Poor Mr. Mozart . . .

Or don’t. But rest assured, he’s spinning in his grave when Gareth and Hyacinth cross paths at the annual—and annually discordant—Smythe-Smith musicale. To Hyacinth, Gareth’s every word seems a dare, and she offers to translate his diary, even though her Italian is slightly less than perfect. But as they delve into the mysterious text, they discover that the answers they seek lie not in the diary, but in each other . . . and that there is nothing as simple—or as complicated—as a single, perfect kiss.