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When Nala Robertson reluctantly agrees to attend an open mic night for her cousin-sister-friend Imani’s birthday, she finds herself falling in instant love with Tye Brown, the MC. He’s perfect, except . . . Tye is an activist and is spending the summer putting on events for the community when Nala would rather watch movies and try out the new seasonal flavors at the local creamery. In order to impress Tye, Nala tells a few tiny lies to have enough in common with him. As they spend more time together, sharing more of themselves, some of those lies get harder to keep up. As Nala falls deeper into keeping up her lies and into love, she’ll learn all the ways love is hard, and how self-love is revolutionary.

In Love Is a Revolution, plus size girls are beautiful and get the attention of the hot guys, the popular girl clique is not shallow but has strong convictions and substance, and the ultimate love story is not only about romance but about how to show radical love to the people in your life, including to yourself.

For as long as she can remember, Bronx-born Naomi Powell has had one goal: to prove her worth among the Upper East Side elite—the same people for which her mom worked as a housekeeper. Now, as the strongminded, sassy CEO of one of the biggest jewelry empires in the country, Naomi finally has exactly what she wants—but it’s going to take more than just the right address to make Manhattan’s upper class stop treating her like an outsider.

The worst offender is her new neighbor, Oliver Cunningham—the grown son of the very family Naomi’s mother used to work for. Oliver used to torment Naomi when they were children, and as a ridiculously attractive adult, he’s tormenting her in entirely different ways. Now they find themselves engaged in a battle-of-wills that will either consume or destroy them.

Unlike their younger brother, André, whose star as a comedian is rising, neither Dwayne nor Brick Duquesne is having luck with his career—and they’re unluckier still in love. Former child star Dwayne has just been fired from his latest acting role and barely has enough money to get by after paying child support to his spiteful former lover, while Brick struggles to return to his uninspiring white-collar job after suffering the dual blows of a health emergency and a nasty breakup with the woman he still loves.

Neither brother is looking to get entangled with a woman anytime soon, but love—and lust—has a way of twisting the best-laid plans. When Dwayne tries to reconnect with his teenage son, he finds himself fighting to separate his animosity from his attraction for his son’s mother, Frenchie. And Brick’s latest source of income—chauffeur and bodyguard to three smart, independent women temporarily working as escorts in order to get back on their feet—opens a world of possibility in both love and money. Penny, Christiana, and Mocha Latte know plenty of female johns who would pay top dollar for a few hours with a man like Brick . . . if he can let go of his past, embrace his unconventional new family, and allow strangers to become lovers.

Eric Jerome Dickey paints a powerful portrait of the family we have, the families we create, and every sexy moment in between.