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Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer.
In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground. Detectives pepper Deidre with questions: Was your brother a member of a pro-apartheid group in the 1990s? Is it true that he was building bombs as part of a terrorist plot?

Deidre doesn’t know the answers to the detectives’ questions. All she knows is that she was denied—repeatedly—the life she felt she deserved. Overshadowed by her brother, then left behind by her daughter after she emigrated, Deidre must watch over her ageing mother and make do with government help and the fading generosity of her neighbours while the landscape around her grows more and more combustible. As alarming evidence from the investigation continues to surface, and detectives pressure her to share what she knows of her family’s disturbing past, Deidre must finally face her own shattered memories so that something better might emerge for her and her country.

In exquisitely spare prose, Karen Jennings weaves a singularly powerful novel about post-apartheid South Africa. It is an unforgettable, propulsive story of fractured families, collective guilt, the ways we become trapped in prisons of our own making, and how we can begin to break free.

Tourists know it as the City of Joy. For Ouled Nail dancers, Bousaada is a city of horrors.

It is 1931 when two sisters arrive in Bousaada bursting with dreams of becoming successful dancers. But the city, occupied by the ruthless French colonial army, changes their lives forever.
When they kill a soldier in self-defence, Fahima and Salima must outsmart the French Colonel who will stop at nothing to uncover the truth. The sisters are driven further into a cycle of violence with every attempt to hide their crime. Risking their lives and the lives of their loved ones, the dancers find themselves at the heart of a civilizational clash.

A teacher with big dreams joins forces with a no-nonsense engineer to survive an ex’s wedding and escape matchmaking pressure from their Indian families. Their plan? Faking an engagement, of course.

Meghna Raman defied her parents’ wishes and followed her life’s passion, becoming a theater teacher and aspiring playwright. When she discovers that her beloved writing partner, best friend, and secret crush, Seth, is engaged—and not to her—she realizes he’s about to become the one-that-got-away. Even worse, he’s asked her to be his best man. And worse than that, she’s agreed. Determined to try and move on, Meghna agrees to let her parents introduce her to a potential match. Maybe she could marry the engineer that her parents still wish she’d become.

Grumpy engineer Karthik Murthy has seen enough of his parents’ marriage to know it’s not for him. He agreed to his mother’s matchmaking attempts to make her happy, never dreaming he would meet someone as vibrant as Meghna. Though he can’t offer her something real, a fake engagement could help Meghna soothe the sting of planning Seth’s wedding festivities and Karthik avoid the absurd number of set-ups his mother has planned for him.

As the two find common ground, grow protective of each other’s hearts, and start to fall for the traits they originally thought they hated, an undeniable chemistry emerges. But soon, their expectations and insecurities threaten something that’s become a lot more real than they’d planned.

Say You’ll Be Mine is a delightful trip back to the heyday of swoony romantic comedies from the nineties, but with a deep and poignant look at the effects of culture and family in our most intimate relationships.