Afonja The Fall is the second book in the Afonja Trilogy. Historical fiction, set in the final days of the collapse of the Oyo Empire.
It continues the story of the titular Afonja, the generalissimo of the Oyo Empire and his clashes with the Alaafin who is nominally his lord. Ultimately, Afonja comes crashing from the heights of power he attained in The Rise and Ilorin is forever lost to the Yoruba.
When Alaafin Abiodun Adegolu died, the Oyo Empire was in a slow decline. The provincial chiefs who helped him defeat the tyrannical Bashorun Gaa had grown in power and the Oyo chiefs were more politicians than warriors. So, when the Oyo Mesi selected a provincial prince, Aole Arogangan to ascend the throne of his fathers, they believed they had an Alaafin they could control.
But Aole had different ideas and he sought to restore the glory of the empire and the supremacy of the Alaafin as its emperor. In this, however, his ambitions clashed with those of Afonja, the powerful provincial chief of war camp, Ilorin. Afonja had been promised the office of Aare Ona Kakanfo of all the Oyo forces by the Oyo chiefs in order to secure his support for Aole’s ascension. He would stop at nothing to take what he believed was his by right.
Afonja – The Rise is the story of how the clashes of these two men and the intrigue of the others around them transformed what was a slow decline into a race of the empire towards its collapse. In Afonja – The Rise, we tell their stories first as what they were – men and women living their lives, warring, scheming and loving in ways that will be familiar to the reader – beyond their roles as actors in the epic history of the great Oyo Empire.
Africa in Fashion explores the kaleidoscope of craft cultures that have shaped African fashion for centuries and captures the intriguing stories of contemporary and avant-garde African brands.
Part One looks at Africa’s rich cultural heritage and place in the network of global fashion. The first chapter retells the history of African fashion, exploring Africa’s textile traditions, artisanship and role as a global resource. The second chapter presents a New Africa and examines the promise and potential of Africa’s markets, while challenging stereotypes and the concept of European hegemony particularly in the realm of luxury fashion. It also spotlights Africa’s unique position as the global industry shifts towards a more sustainable future.
Part Two ushers the reader into the spectacular world of African fashion today. It showcases a carefully curated set of the continent’s most dynamic brands and, through interviews with prominent and inspiring designers, offers rare insight into their ethos and design practice. Covering unisex fashion, menswear, womenswear, accessories and jewellery the brands are each purposefully selected to contribute uniquely to the mosaic of Africa evolving creative landscape.
Against the backdrop of a globalized world, with the key players having to contend with the changing nature of power in international relations and Africa of the 21st century faced with new realities, this book was conceived to expand and push the scope of inquiry into a new direction in strategic thinking. It was designed to examine various issues that are related to the security of Africa as a sub-system within the international system.
The book is an attempt to examine how some basic security issues define the position of Africa within the international system and determine the dynamics of African participation in the ordering of a global world order. Part of the intention is to show the forms that the factors of African security would take in the foreseeable future as these factors would determine the relationship between African states and the non-African world as well as influence the developments within Africa itself.
African Power Girls is a compendium of some of the most inspiring stories of past and present female African leaders. Telling stories of women like Queen Amina of Zaria, Hadiza Ladi Kwali, Bisoye Tejuosho, Grace Alele Williams, and Melody Millicent Danquah, it captures the strength, wisdom, victory, and fearless, driven purpose of African women in time past who refused to succumb to societal norms and used their voices, abilities, and vision to lay a foundation of becoming an inspiration for other women to follow.
The book, originally borne out of Adebola Williams’ desire to give his goddaughters a gift that underscores how powerful and extraordinary they are, regardless of limiting societal gender roles placed on the female child and women in general, has become a priceless gift for every girl-child (and boy-child) across Africa and beyond.
The book aims to give young African girls a voice and empower them to take up space in different fields, dream big, and know that whatever they set their minds to achieve can be done.
A compilation of proverbs from all over Africa showing the richness of African culture and tradition, as well as the continuing relevance of these timeless words of wisdom in our increasingly globalized and digitalized world. Includes 3 books: African Proverbs 1, African Proverbs 2 and African Proverbs 3 for Kids.
African Proverbs for All Ages is a beautifully-illustrated, engaging picture book about the power of proverbs, how they evolve over time, and the wisdom of various cultures in Africa.
It has been said that a proverb is a short sentence based on long experience. In African Proverbs for All Ages, noted anthropologist and educator Dr. Johnetta Betsch Cole and award-winning illustrator Nelda LaTeef invite children and adults to explore and reflect on complex notions about relationships, identity, society, and the human condition.
When the people of Yackiland run out of Kanek weaves, the kingdom is thrown into chaos. Ruled by an evil, straight hair-obsessed queen for so many years, the people of Yackiland have forgotten how to grow their own hair. It is up to Afro, the girl with magical hair, to save the kingdom.
But the queen has plans of her own…
Cases of remarkable experiences on the threshold of death have been reported since ancient times, and are described today by 10% of people whose hearts stop. The medical world has generally ignored these “near-death experiences,” dismissing them as “tricks of the brain” or wishful thinking. But after his patients started describing events that he could not just sweep under the rug, Dr. Bruce Greyson began to investigate.
As a physician without a religious belief system, he approached near-death experiences from a scientific perspective. In After, he shares the transformative lessons he has learned over four decades of research. Our culture has tended to view dying as the end of our consciousness, the end of our existence―a dreaded prospect that for many people evokes fear and anxiety.
But Dr. Greyson shows how scientific revelations about the dying process can support an alternative theory. Dying could be the threshold between one form of consciousness and another, not an ending but a transition. This new perspective on the nature of death can transform the fear of dying that pervades our culture into a healthy view of it as one more milestone in the course of our lives. After challenges us to open our minds to these experiences and to what they can teach us, and in so doing, expand our understanding of consciousness and of what it means to be human.
When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back–until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, threatening once again to carry them away.
Steve Jobs called Jony Ive his “spiritual partner at Apple.” The London-born genius was the second-most powerful person at Apple and the creative force who most embodies Jobs’s spirit, the man who designed the products adopted by hundreds of millions the world over: the iPod, iPad, MacBook Air, the iMac G3, and the iPhone. In the wake of his close collaborator’s death, the chief designer wrestled with grief and initially threw himself into his work designing the new Apple headquarters and the Watch before losing his motivation in a company increasingly devoted more to margins than to inspiration.
In many ways, Cook was Ive’s opposite. The product of a small Alabama town, he had risen through the ranks from the supply side of the company. His gift was not the creation of new products. Instead, he had invented countless ways to maximize a margin, squeezing some suppliers, persuading others to build factories the size of cities to churn out more units. He considered inventory evil. He knew how to make subordinates sweat with withering questions.
Jobs selected Cook as his successor, and Cook oversaw a period of tremendous revenue growth that has lifted Apple’s valuation to $2 trillion. He built a commanding business in China and rapidly distinguished himself as a master politician who could forge global alliances and send the world’s stock market into freefall with a single sentence.
Author Tripp Mickle spoke with more than 200 current and former Apple executives, as well as figures key to this period of Apple’s history, including Trump administration officials and fashion luminaries such as Anna Wintour while writing After Steve. His research shows the company’s success came at a cost. Apple lost its innovative spirit and has not designed a new category of device in years. Ive’s departure in 2019 marked a culmination in Apple’s shift from a company of innovation to one of operational excellence, and the price is a company that has lost its soul.
One death. Four lives.
Idera: The new widow who discovers her perfect husband’s heartbreaking secret, and must live with the after-effects of his legacy while raising her three sons.
Demola: Despite his vow to be different from the father who abandoned him, inescapably makes some of the same choices his father made.
Lydia: Struggling with personal insecurities, she battles herself on how to stop loving an unworthy man too much and for far too long.
Justus: The ex-political prisoner who tries to rebuild his life and find peace in exile but can’t outrun his past.
Spanning Lagos, Liverpool, Ile-Ife, and London, After the End traces the journeys of four intertwined lives as they navigate personal growth, betrayal, forgiveness, and unforgiving pasts. And eventually, they will realise that death is not quite the end they thought it was.
Alice Raikes takes a train from London to Scotland to visit her family, but when she gets there she witnesses something so shocking that she insists on returning to London immediately. A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice’s family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge.
The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You’d Gone is a novel of stunning psychological depth, marking the debut of a major literary talent.
From the winner of the 2021 Nobel Prize in Literature, a sweeping, multi-generational saga of displacement, loss, and love, set against the brutal colonization of east Africa.
When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back–until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, threatening once again to carry them away.
When Nadia Owusu was two years old her mother abandoned her and her baby sister and fled from Tanzania back to the US. When she was thirteen her beloved Ghanaian father died of cancer. She and her sister were left alone, with a stepmother they didn’t like, adrift.
Nadia Owusu is a woman of many languages, homelands and identities. She grew up in Rome, Dar-es-Salaam, Addis Ababa, Kumasi, Kampala and London. And for every new place there was a new language, a new identity and a new home. At times she has felt stateless, motherless and identity-less. At others, she has had multiple identities at war within her. It’s no wonder she started to feel fault lines in her sense of self. It’s no wonder that those fault lines eventually ruptured.
Aftershocks is the account of how she hauled herself out of the wreckage. It is the intimate story behind the news of immigration and division dominating contemporary politics. Nadia Owusu’s astonishingly moving and incredibly timely memoir is a nuanced portrait of globalisation from the inside in a fractured world in crisis.
Back in the long ago nineties, Rachel Walsh was a mess.
But a spell in rehab transformed everything. Life became very good, very quickly. These days, Rachel has love, family, a great job as an addiction counsellor, she even gardens. Her only bad habit is a fondness for expensive sneakers.
But with the sudden reappearance of a man she’d once loved, her life wobbles.
She’d thought she was settled. Fixed forever. Is she about to discover that no matter what our age, everything can change?
Is it time to think again, Rachel?
