Proudly Nigerian

A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future.

Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave?

But before the story can even begin, he has to queue for his visa…

Every Day is for the Thief is a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.

Sex and friendship, ambition and political intrigue, secrets and betrayal will set the fate of two slaves— Jamīla and Abimelech—in this ground-breaking debut novel.

Inspired by the only existing first-person narrative of an Abyssinian slave in Iran, Jamīla Habashī, In the Palace of Flowers recreates the opulent Persian royal court of the Qajars at the end of the nineteenth century. This is a precarious time of growing public dissent, foreign interference from the Russians and British, and the problem of an aging ruler and his unsuitable heir.

Torn away from their families, Jamila, a concubine, and Abimelech, a eunuch, now serve at the whims of the royal family, only too aware of their own insignificance in the eyes of their masters. Abimelech and Jamila’s quest to take control over their lives and find meaning leads to them navigating the dangerous politics of the royal court, and to the radicals that lie beyond its walls.

Richly textured and elegantly written, at its heart In The Palace of Flowers is a novel about the fear of being forgotten.

In the City of Lies, they cut out your tongue when you turn thirteen, to appease the terrifying Ajungo Empire and make sure it continues sending water. Tutu will be thirteen in three days, but his parched mother won’t last that long. So Tutu goes to his oba and makes a deal: she provides water for his mother, and in exchange he will travel out into the desert and bring back water for the city. Thus begins Tutu’s quest for the salvation of his mother, his city, and himself.

The Lies of the Ajungo opens the curtains on a tremendous world, and begins the epic fable of the Forever Desert. With every word, Moses Ose Utomi weaves magic.