Proudly Nigerian

Satire meets slasher in this short, darkly funny hand grenade of a novel about a Nigerian woman whose younger sister has a very inconvenient habit of killing her boyfriends.

“Femi makes three, you know. Three and they label you a serial killer.”

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favourite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit.

A kind, handsome doctor at the hospital where Korede works, the bright spot in her life, begins to fall for Ayoola. When he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and what she will do about it.

Nkechi, Yeni, and Tale all want the same thing: children of their own. But with each passing year, their dreams turn into nightmares of a future they never anticipated. Infertility is the unwanted guest in their homes, mocking all their efforts and feeding on their misery.

But these three women are fighters. They will not stop or back down – no power is too heavy and no strangeness too unacceptable in their quest.

The Waiting Room is a place of unusual strength and courage.

Nice—real name, Theresa—has just arrived Nairobi airport where she will be picked up by her old friend, Duncan, an American pastor for a small evangelical denomination. Duncan cannot know that Nice is fleeing her life choices, and her UN job in Mogadishu. She believes she is too innocent-looking, too nice, for anyone to suspect that she is muling drugs.

But Nice has not contended with her drug-dealer Somali boyfriend having an associate in the Kenya Police Service. Duncan’s car crashes on the way back from the airport.

Duncan awakes after the car crash, to find himself captive to the sociopathic policeman, Hinga, and the charmingly amoral Ciru. Nice is gone. Plucked from his expat bubble, Duncan must plunge into the moral complexities of the under-city to get Nice back. But how deep can Duncan go, without destroying his faith, and himself?