Proudly Nigerian

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.

In this beguiling collection of twelve imaginative stories set in Lagos, Nigeria, ’Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.

In “Manifest,” a woman sees the ghost of her abusive mother in her daughter’s face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In “Breastmilk,” a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother’s feminist values and doubts her fitness for motherhood. In “Things Boys Do,” a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in “24, Alhaji Williams Street,” a teenage boy lives in the shadow of a mysterious disease that’s killing the boys on his street.

These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society. Powered by a deep empathy and glinting with humor, they announce a major new literary talent.

In nine exhilarating stories of queer love in contemporary Nigeria, God’s Children Are Little Broken Things announces the arrival of a daring new voice in fiction.

A man revisits the university campus where he lost his first love, aware now of what he couldn’t understand then. A young musician rises to fame at the price of pieces of himself, and the man who loves him. Arinze Ifeakandu explores with tenderness and grace the fundamental question of the heart: can deep love and hope be sustained in spite of the dominant expectations of society, and great adversity.

Ugwu, a boy from a poor village, works as a houseboy for a university professor. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. And Richard, a shy English writer, is enthralled to Olanna’s enigmatic twin sister. As the horrific Biafran war engulfs them, they are thrown together and pulled apart in ways they had never imagined. Chimamanda Ngozi Adichie’s masterpiece, winner of the Orange Prize for Fiction, is a novel about Africa in a wider sense: about the end of colonialism, ethnic allegiances, class and race – and about the ways in which love can complicate all of those things.