Kambi thinks the serene Obudu Mountain Resort is the perfect place to finish her poetry collection and heal her broken heart. But along comes Beba, the gorgeous man from her past who reignites the spark between them. Can Kambi resist Beba’s charms and keep up the pretence of being his fake fiancee to help him in his quest to find his mother? Or will a phony engagement be the key for Kambi to begin Finding Love Again?
Mira is ambitious and creative but she’s stuck as a PA to the ruthless editor of fashion magazine Black Sparkle. A string of disastrous dates threatens to put her off men forever. And then she crashes into the Mercedes of tiger-eyed Dominic. Mira’s luck changes when she’s promoted to assistant editor, but Dominic is the photographer for her first edition in charge. Sparks fly as the creative energy of two talented individuals fuels a heady mix of fear and desire.
Things are changing at Lagos firm City Finance. But for Ada Okafor, a bright and dedicated trainee, the only change worth noticing is the dashing, new British-trained assistant MD, Tony Okoli. Ambitious and determined, Ada ignores her feelings for Tony and focuses on juggling her work in accounts with studying. But the two are drawn together and they embark on a secret and passionate affair. Their love is truly tested as they fight to persuade themselves and the world that love, in the end, trumps social status.
On a hot Sunday afternoon years ago, two sisters walk in on their father’s sexual liaison with the family’s hired help which leaves them both scarred in different ways. Years later, unable to bear the thought of marriage to a man she barely knows, the younger and more adventurous one, Munachi runs away from home on the eve of her traditional marriage, unwittingly resurrecting a long buried feud between her religious mother and eccentric aunty. This conflict leaves the door open for the family’s destruction.
The arrival of a second wife causes a woman to reassess her marriage. Another faces up to tough choices in the wake of a military coup. A heroine from history lights the path for a modern girl on the road to Jenwi. A picture on a wall tells its own poignant story of sacrifice. A former cultist must confront an unspoken secret in his family.
A collection of short stories.
Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.
Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria.
In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie’s canon.
When his girlfriend throws him out during the pandemic, Bambi has to go to his Uncle’s house in lock-down Lagos. He arrives during a blackout, and is surprised to find his Aunty Bidemi sitting in a candlelit room with another woman. They both claim to be the mother of the baby boy, fast asleep in his crib.
At night Bambi is kept awake by the baby’s cries, and during the day he is disturbed by a cockerel that stalks the garden. There is sand in the rice. A blood stain appears on the wall. Someone scores tribal markings into the baby’s cheeks. Who is lying and who is telling the truth?
A Play of Giants is a savage satire on some of the best-known dictators of our time (including Idi Amin); it brings together a group of dictatorial African leaders at bay in an embassy in New York attempting to make decisions together.
These hilarious and vicious two plays examine the corruption of Nigerian society through a study of the rise and fall of one of its self-made charismatic preachers.
Àníké has to hawk èko every morning but that does not stop her from going to school. She loves school and wants to be a doctor.
However, her mother has decided her fate: once she finishes primary school, she will join her Aunt Remí in the city as a tailor.
When a mystery guest visits Àníké’s school, she has the chance to win a scholarship that will change her fate. Will the help of her friends Oge, Ìlérí and Àríyo the cobbler be enough?
Written by Sandra Joubead and illustrated by Àlàbá Ònájìn, ÀNÍKÉ ELÉKO tells a colourful story of one girl’s courage in the face of opposition to her dreams.
This is a heartwarming illustrated children’s story of a young foal who wanders away from his herd and gets tricked by a cunning hyena. Kob thinks hard, breaks free from the lair of his captor and reunites with his long lost family.
The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.
Dada Ade does not like her hair. So she goes to see the Good Hair Fairy in hopes of receiving some good hair. But when she gets to the Good Hair Fairy, a big surprise awaits her.
The whole family gathers at Tobi’s house to celebrate some good news and Tobi chooses a special way to say well done to her big brother Dare. What did Dare do? How does Tobi surprise him? Find out in TOBI BAKES A CAKE.
TOBI BAKES A CAKE is a picture book for children aged 2 – 6.
Winner of the International Board on Books for Young People, Certificate of Honour, this story for young people teaches the lesson that honesty is the best policy. Ure comes from a poor but honest family, and works as a houseboy to pay his own school fees. Towards the end of his primary school days he is accused of stealing money. He is saved by the well-placed total trust of his parents and his teacher.
Tobi gets a swimming costume for her 3rd birthday present. Mum and Dad take her to the swimming pool where she learns to swim. Will she figure out how to float? Can she conquer the freestyle? Find out in Tobi Learns To Swim.
