Proudly Nigerian

They burned down the market on the day Vivek Oji died.

One afternoon, a mother opens her front door to find the length of her son’s body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek’s birth, the day his grandmother Ahunna died. It is the story of an overprotective mother and a distant father, and the heart-wrenching tale of one family’s struggle to understand their child, just as Vivek learns to recognize himself.

Teeming with unforgettable characters whose lives have been shaped by Vivek’s gentle and enigmatic spirit, it shares with us a Nigerian childhood that challenges expectations. This novel, and its celebration of the innocence and optimism of youth will touch all those who embrace it.

Ifiok, a young journalist working for a public radio station in Lagos, Nigeria, aspires to always do the right thing but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country. When Ifiok travels to his hometown to do a documentary on some ex-militants’ apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide. Radio Sunrise paints a satirical portrait of post-colonial Nigeria that builds on the legacy of the great African satirist tradition of Ngugi Wa Thiong’o and Ayi Kwei Armah.

Twelve years in America and Eziafa Okereke has nothing to show for it. Desperate to re-write his story, Eziafa returns to Nigeria to find a woman he can mold to his taste. Eighteen-year-old Zina has big dreams. An arranged marriage to a much older man isn’t one of them. Trapped by family expectations, Zina marries Eziafa, moves to Houston, and trains as a nurse. Buffeted by a series of disillusions, the couple stagger through a turbulent marriage until Zina decides to change the rules of engagement.

Chinua Achebe is considered the father of modern African literature, the writer who “opened the magic casements of African fiction.” The African Trilogy–comprised of Things Fall Apart, Arrow of God, and No Longer at Ease–is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire.

The trilogy opens with the groundbreaking Things Fall Apart, the tale of Okonkwo, a hero in his village, whose clashes with missionaries–coupled with his own tragic pride–lead to his fall from grace. Arrow of God takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in No Longer at Ease, Okonkwo’s grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite.

Drawing on the traditional Igbo tales of Achebe’s youth, The African Trilogy is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, “African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed.”

Ada has always been unusual. As an infant in southern Nigeria, she is a source of deep concern to her family. Her parents successfully prayed her into existence, but she becomes a troubled child, prone to violent fits of anger and grief, developing separate selves within her. Ada is more than just volatile – she is an ogbanje, born “with one foot on the other side.” When Ada travels to America for college, a traumatic event crystallizes her selves into something more powerful. Based in the author’s realities and narrated by these selves, Freshwater maps how Ada’s life spirals in a dangerous direction as her alters – now protective, now hedonistic – move into control.