Proudly Nigerian

Face Me I Face You is a collection of witty and humorous poems existing at the interface of identity, class, and culture. It holds a mirror to the working class by capturing the narrative essence and dramatized aspirations of its characters. The deployed humor and satire humanizes our modern realities and reaches beyond the tragedy of these colorful archetypes of city life.

When the 2020 Covid-19 pandemic hits, Wumi finds herself jobless and decides to journal like the YouTubers suggest. What begins as a daily journal transitions into the rantings of a millennial exposing the frustrations and thoughts of a young immigrant Nigerian in cold London.

From the Hugo, Nebula, Locus and Nommo award nominated author of Shigidi and The Brass Head Of Obalufon comes a stunning new collection of stories that investigate the rapidly changing role of technology and belief in our lives as we search for meaning, for knowledge, for justice; constantly converging on our future selves.

In “An Arc of Electric Skin,” a roadside mechanic seeking justice volunteers to undergo a procedure that will increase the electrical conductivity of his skin by orders of magnitude. In “Blowout,” a woman races against time and a previously undocumented geological phenomenon to save her brother on the surface of Mars. In “Ganger,” a young woman trapped in a city run by machines must transfer her consciousness into an artificial body and find a way to give her life purpose. In “Debut,” Nairobi-based technical support engineer tries to understand what is happening when an AI art system begins malfunctioning in ways that could change the world.

The sixteen stories of Convergence Problems, which include work published for the first time in this collection, rare stories, and recently acclaimed work, showcase Talabi at his creative best: playful and profound, exciting and experimental, always interesting.

A page-turning novel about the dark side of social media.

Perfect for fans of The List or How to Kill Your Family.

Anuri Chinasa has had enough. She was the unwilling star of her stepmother’s social media empire before ‘mumfluencers’ were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now twenty-five years old, Anuri is desperate to escape her public past and start living on her own terms. But so far, it’s not going well. She can barely walk down the street without being recognised, her PhD application is still unfinished and her drinking problem is getting worse. She wants her stepmother out of her life, but Ophelia has made it very clear she won’t let go without a fight.

But when Ophelia starts pushing Anuri’s five-year-old sister, Noelle, down a similar path, she reaches breaking point. Anuri won’t watch history repeat itself.

Allow Me to Introduce Myself is a darkly funny, heartfelt satire about the dangers of social media and the deceptive allure of the picture-perfect existence.

17-year-old Enore Adesuwa doesn’t dive into things, she walks in carefully. So when she, her mother, and her sister move from Nigeria to America shortly after her father’s death, she wants to be extremely prepared before attending an American high school. Her cousin, Adrian, doesn’t have time to explain the ins and outs to her but, luckily, he recommends the perfect research tool: teen movies.

Still dealing with grief but armed with a set of rules of survival gathered from these movies (including the crucial rule of keeping a low profile), Enore is ready for her senior year. But when she meets Davi Santiago, it may be much harder than she thought to keep to her rules. Because not only is he super thoughtful (and okay, very good looking), he constantly encourages her to share her incredible singing talent. Enore prefers the background but it just might be time for her to take center stage, even in spite of her mother’s strict expectations.

Maybe it would be easier to follow all the rules, the ones Enore set for herself and the ones her mom imposes, but as every teen movie has taught her, a coming-of-age is nothing without a little rebellion. And with help from her crush, her sister, and some new friends who don’t quite fit the roles she expects them to play, Enore’s senior year might indeed be cinematic.

In an imaginary Nigeria, a cunning entrepreneur is selling body parts stolen from Dr Menka’s hospital for use in ritualistic practices. Dr Menka shares the grisly news with his oldest college friend, bon viveur, star engineer, and Yoruba royal, Duyole Pitan-Payne. The life of every party, Duyole is about to assume a prestigious post at the United Nations in New York, but it now seems that someone is deter­mined that he not make it there. And neither Dr Menka nor Duyole knows why, or how close the enemy is, or how powerful.

Chronicles from the Land of the Happiest People on Earth is at once a literary hoot, a crafty whodunit, and a scathing indictment of political and social corrup­tion. It is a stirring call to arms against the abuse of power from one of our fiercest political activists, who also happens to be a global literary giant.

How to Make a Space Masquerade artfully blends speculative fiction with Igbo cosmology, seamlessly merging the earthly realm with a dystopian world. It explores the complexities of the human spirit and the intersection of the two worlds.

A girl facing erasure for carrying a virus defies the government to save her life through a trial cure. A space engineer must explain the existence of his human love child resulting from a one- night stand with a robot.

The twelve stories in this collection stretch the imagination and demand a review of our notions of self-discovery, human connection and traditions.