Fiction

From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century.

First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

Lucy Price is living the American dream. She has been married to her successful husband and businessman, Edward Price for a year and couldn’t be happier until she learns that Eddie is a dangerously ruthless man, heavily involved in illegal activities that threaten not only her marriage, but her life. Eddie abruptly disappears, but not before warning Lucy that if she wants to keep breathing she’d better keep her mouth shut. Six months later, word of her husband surfaces when she learns that he is presumed murdered in a small Texas town, apparently killed by his “wife”, Marlowe Price.

Marlowe is no stranger to trouble. An outcast in her own community for being one of those “hoodoo women,” who can curse you or cast you under her beguiling spell, Marlowe is shunned at every turn. Six months ago, a whirlwind romance in Mexico led Marlowe to marry the man she thought she’d spend the rest of her life with. For Marlowe and Eddie, there is no such thing as trouble in paradise. But late one night, when Marlowe witnesses her husband putting the body of a dead man in the trunk of his car, the illusion comes crashing down around her and she knows she has to move fast before the devil comes calling once again.

Now, Lucy and Marlowe must come together to find out where and who Eddie really is, and help each other through the threat he poses. There’s nothing more dangerous than a woman scorned…except for two women scorned who are willing to put their pasts behind them and band together to take one bad man down…

A teacher with big dreams joins forces with a no-nonsense engineer to survive an ex’s wedding and escape matchmaking pressure from their Indian families. Their plan? Faking an engagement, of course.

Meghna Raman defied her parents’ wishes and followed her life’s passion, becoming a theater teacher and aspiring playwright. When she discovers that her beloved writing partner, best friend, and secret crush, Seth, is engaged—and not to her—she realizes he’s about to become the one-that-got-away. Even worse, he’s asked her to be his best man. And worse than that, she’s agreed. Determined to try and move on, Meghna agrees to let her parents introduce her to a potential match. Maybe she could marry the engineer that her parents still wish she’d become.

Grumpy engineer Karthik Murthy has seen enough of his parents’ marriage to know it’s not for him. He agreed to his mother’s matchmaking attempts to make her happy, never dreaming he would meet someone as vibrant as Meghna. Though he can’t offer her something real, a fake engagement could help Meghna soothe the sting of planning Seth’s wedding festivities and Karthik avoid the absurd number of set-ups his mother has planned for him.

As the two find common ground, grow protective of each other’s hearts, and start to fall for the traits they originally thought they hated, an undeniable chemistry emerges. But soon, their expectations and insecurities threaten something that’s become a lot more real than they’d planned.

Say You’ll Be Mine is a delightful trip back to the heyday of swoony romantic comedies from the nineties, but with a deep and poignant look at the effects of culture and family in our most intimate relationships.

Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had.

But in the thick of motherhood’s exhausting early days, Blythe becomes convinced that something is wrong with her daughter—she doesn’t behave like most children do.

Or is it all in Blythe’s head? Her husband, Fox, says she’s imagining things. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well.

Then their son Sam is born—and with him, Blythe has the blissful connection she’d always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth.

For fans of Verity and We Need to talk about Kevin, The The Push is a tour de force you will read in a sitting, an utterly immersive novel that will challenge everything you think you know about motherhood, about what we owe our children, and what it feels like when women are not believed.

When Lily moves into new boyfriend Marcus’s apartment and plunges headlong into their relationship, she must contend with an intangible, hostile presence—Marcus’s ex-girlfriend, Sinead. As Lily and Marcus become more deeply involved, Lily becomes obsessed with Sinead’s fate and thinks she sees her everywhere. She must question not only her sanity, but whether the man she loves is someone she can, or should, be with at all.