Fiction

When Jack and Elizabeth meet as college students in the gritty ’90s Chicago art scene, the two quickly join forces and hold on tight, each eager to claim a place in the thriving underground scene with an appreciative kindred spirit. Fast-forward twenty years to suburban married life, and alongside the challenges of parenting, they encounter the often-baffling pursuits of health and happiness from polyamorous would-be suitors to home-renovation hysteria.

For the first time, Jack and Elizabeth struggle to recognize each other, and the no-longer-youthful dreamers are forced to face their demons, from unfulfilled career ambitions to childhood memories of their own dysfunctional families. In the process, Jack and Elizabeth must undertake separate, personal excavations, or risk losing the best thing in their lives: each other.

When siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle.

Jacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife—a request that the U.S. government has repeatedly denied. He envies his sister, Belinda, who achieved, as their father put it, “what Napoleon could not do”: she went to college and law school in the United States and even managed to marry Wilder, a wealthy Black businessman from Texas. Wilder’s view of America differs markedly from his wife’s, as he’s spent his life railing against the racism and marginalization that are part of life for every African American living here.

For these three, their desires and ambitions highlight the promise and the disappointment that life in a new country offers. How each character comes to understand this and how each learns from both their dashed hopes and their fulfilled dreams lie at the heart of what makes What Napoleon Could Not Do such a compelling, insightful read.

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

Samantha Casey is a school librarian who loves her job, the kids, and her school family with passion and joy for living.
But she wasn’t always that way.
Duncan Carpenter is the new school principal who lives by rules and regulations, guided by the knowledge that bad things can happen.
But he wasn’t always that way.

And Sam knows it. Because she knew him before―at another school, in a different life. Back then, she loved him―but she was invisible. To him. To everyone. Even to herself. She escaped to a new school, a new job, a new chance at living. But when Duncan, of all people, gets hired as the new principal there, it feels like the best thing that could possibly happen to the school―and the worst thing that could possibly happen to Sam. Until the opposite turns out to be true. The lovable Duncan she’d known is now a suit-and-tie wearing, rule-enforcing tough guy so hell-bent on protecting the school that he’s willing to destroy it.

As the school community spirals into chaos, and danger from all corners looms large, Sam and Duncan must find their way to who they really are, what it means to be brave, and how to take a chance on love―which is the riskiest move of all.