Fiction

When a typically closed-off Peg attempts online dating at Rose’s strong urging, the experience plays out like an embarrassing mistake. At least, until she matches with Nolan Abercrombie—intelligent, attractive, and a self-proclaimed dog lover. The two share an instant connection that has Peg cautiously excited to finally bring someone special into her busy world of Standard Poodles and conformation shows.

Before Peg can admit that Rose was right and let down her walls for the budding romance, a terrible accident claims Nolan’s life. As details about his background and tragic death come to light, Peg has a serious hunch that someone successfully plotted to kill her first real date in decades . . .

With suspects galore and a slew of puzzling clues to peel through, Peg and Rose team up to solve a dangerous mystery unfolding before their eyes. The question is: Can the unlikely duo turn their radically different personalities into an advantage as they scramble to ID the guilty culprit—or will they manage to work against each other and find themselves precisely where a meticulous murderer wants them to be?

Life is hopeless but it is not serious. We have to have danced while we could and, later, to have danced again in the telling.

A weekend spent antiquing is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speaks out from a pulsing metropolis.

We’re invited to experience these events and others through the eyes and ears of Tunde, a West African man working as a teacher of photography on a renowned New England campus. He is a reader, a listener, a traveler, drawn to many different kinds of stories: stories from history and epic; stories of friends, family, and strangers; stories found in books and films. Together these stories make up his days. In aggregate these days comprise a life.

Tremor is a startling work of realism and invention that engages brilliantly with literature, music, race, and history as it examines the passage of time and how we mark it. It is a reckoning with human survival amidst “history’s own brutality, which refuses symmetries and seldom consoles,” but it is also a testament to the possibility of joy. As he did in his magnificent debut Open City, Teju Cole once again offers narration with all its senses alert, a surprising and deeply essential work from a beacon of contemporary literature.

Chinua Achebe is considered the father of modern African literature, the writer who “opened the magic casements of African fiction.” The African Trilogy–comprised of Things Fall Apart, Arrow of God, and No Longer at Ease–is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire.

The trilogy opens with the groundbreaking Things Fall Apart, the tale of Okonkwo, a hero in his village, whose clashes with missionaries–coupled with his own tragic pride–lead to his fall from grace. Arrow of God takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in No Longer at Ease, Okonkwo’s grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite.

Drawing on the traditional Igbo tales of Achebe’s youth, The African Trilogy is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, “African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed.”