Fiction

When Alaafin Abiodun Adegolu died, the Oyo Empire was in a slow decline. The provincial chiefs who helped him defeat the tyrannical Bashorun Gaa had grown in power and the Oyo chiefs were more politicians than warriors. So, when the Oyo Mesi selected a provincial prince, Aole Arogangan to ascend the throne of his fathers, they believed they had an Alaafin they could control.

But Aole had different ideas and he sought to restore the glory of the empire and the supremacy of the Alaafin as its emperor. In this, however, his ambitions clashed with those of Afonja, the powerful provincial chief of war camp, Ilorin. Afonja had been promised the office of Aare Ona Kakanfo of all the Oyo forces by the Oyo chiefs in order to secure his support for Aole’s ascension. He would stop at nothing to take what he believed was his by right.

Afonja – The Rise is the story of how the clashes of these two men and the intrigue of the others around them transformed what was a slow decline into a race of the empire towards its collapse. In Afonja – The Rise, we tell their stories first as what they were – men and women living their lives, warring, scheming and loving in ways that will be familiar to the reader – beyond their roles as actors in the epic history of the great Oyo Empire.

Hortensia and Marion are next door neighbours in a charming, bougainvillea-laden Cape Town suburb. One is black, one white. Both are successful women with impressive careers behind them. Both have recently been widowed. Both are in their eighties. And both are sworn enemies, sharing hedge and hostility prined with zeal.
But one day an unforeseen event forces the women together. Could long-held mutual loathing transform into friendship?

Love thy neighbour? Easier said than done.

In an imaginary Nigeria, a cunning entrepreneur is selling body parts stolen from Dr. Menka’s hospital for use in ritualistic practices. Dr. Menka shares the grisly news with his oldest college friend, bon viveur, star engineer, and Yoruba royal, Duyole Pitan-Payne. The life of every party, Duyole is about to assume a prestigious post at the United Nations in New York, but it now seems that someone is deter­mined that he not make it there. And neither Dr. Menka nor Duyole knows why, or how close the enemy is, or how powerful.

Chronicles from the Land of the Happiest People on Earth is at once a literary hoot, a crafty whodunit, and a scathing indictment of political and social corrup­tion. It is a stirring call to arms against the abuse of power from one of our fiercest political activists, who also happens to be a global literary giant.

In an imaginary Nigeria, a cunning entrepreneur is selling body parts stolen from Dr. Menka’s hospital for use in ritualistic practices. Dr. Menka shares the grisly news with his oldest college friend, bon viveur, star engineer, and Yoruba royal, Duyole Pitan-Payne. The life of every party, Duyole is about to assume a prestigious post at the United Nations in New York, but it now seems that someone is deter­mined that he not make it there. And neither Dr. Menka nor Duyole knows why, or how close the enemy is, or how powerful.

Chronicles from the Land of the Happiest People on Earth is at once a literary hoot, a crafty whodunit, and a scathing indictment of political and social corrup­tion. It is a stirring call to arms against the abuse of power from one of our fiercest political activists, who also happens to be a global literary giant.

Ifiok, a young journalist working for a public radio station in Lagos, Nigeria, aspires to always do the right thing but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country. When Ifiok travels to his hometown to do a documentary on some ex-militants’ apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide. Radio Sunrise paints a satirical portrait of post-colonial Nigeria that builds on the legacy of the great African satirist tradition of Ngugi Wa Thiong’o and Ayi Kwei Armah.