Fiction

Seun Ajimobi is a twelve-year old boy lost in Libya. Thrown into a high-stakes situation, Seun must find a way out or risk never returning home or worse, losing his life. Told through the eyes of a boy abruptly cut off from the only life he has ever known, this agonizing tale of loss, isolation, family and friendship vividly captures the plight endured by those who leave home in the hope of finding greener pastures in a foreign land.

In Harmattan! and other poems, the poet pours out his thoughts as a traveller, a patriotic Nigerian, a devout Christian, and more, in this collection of laidback yet thought-provoking poems, covering his trips and observations through travel monologues, politics (both local and foreign), the ugly reality of terrorism, and the deep importance of faith to him.

He reveals his general reflections on life, the Nigerian weather/climate, aging, and Ebola/COVID; his support for the Super Eagles and for Liverpool FC; his love for his wife, his mother, and musings on Harry and Meghan’s marriage; and a reflection on rainbows, Psalm 23, and the coming of Judgement Day; all with unique observation and rhythmic mastery.

In “A Private Experience”, a medical student hides from a violent riot with a poor Muslim woman whose dignity and faith force her to confront the realities and fears she’s been pushing away. In “Tomorrow is Too Far”, a woman unlocks the devastating secret that surrounds her brother’s death. The young mother at the centre of “Imitation” finds her comfortable life threatened when she learns that her husband is back in Lagos and has moved his mistress into their home. And the title story depicts the choking loneliness of a Nigerian girl who moves to an America that turns out to be nothing like the country she expected; though falling in love brings her desires nearly within reach, a death in her homeland forces her to re-examine them. Searing and profound, suffused with beauty, sorrow and longing, this collection is a resounding confirmation of Chimamanda Ngozi Adichie’s prodigious storytelling powers.

When the 2020 Covid-19 pandemic hits, Wumi finds herself jobless and decides to journal like the YouTubers suggest. What begins as a daily journal transitions into the rantings of a millennial exposing the frustrations and thoughts of a young immigrant Nigerian in cold London.

These hilarious and vicious two plays examine the corruption of Nigerian society through a study of the rise and fall of one of its self-made charismatic preachers.