Fiction

Long-standing tensions between a husband, his wife, and her best friend finally come to a breaking point in this sharp domestic comedy of manners, told brilliantly over the course of one day.

What if the two most important people in your life hated each other with a passion?

The wife has it all. A big house in a nice neighbourhood, a ride-or-die snarky friend with whom to laugh about facile men, and an affectionate husband who loves her above all else. The only thing missing from this portrait is a baby. But motherhood is a serious undertaking, especially for the wife who has valued her selfhood above all else.

On a seemingly normal day, the best friend comes over to spend a lazy afternoon with the wife. But when the husband comes home and a series of confessions are made that threaten to throw everything off balance, the wife’s two confidantes are suddenly forced to jockey for their positions. Told in three taut, mesmerizing parts—the wife, the husband, the best friend—the day quickly unfolds to show how the trio’s dented visions of each other finally unravel, throwing everyone’s integrity into question – and their long-drawn-out territorial dance, carefully constructed over pivotal years, into utter chaos.

At once subversively comical, wildly astute, and painfully compulsive, The Three of Us explores cultural truths, what it means to defy them, and the fine line between compromise and betrayal, ultimately asking: who are we if not for the stories we tell ourselves about ourselves, and the people we’re meant to love?

An MI6 operative is found dead, locked in a suitcase inside his own apartment. Despite an exhaustive search, no fingerprints are found at the scene. Emma Makepeace and her handler, Ripley, know an assassination when they see one, and such an obvious murder can mean only one thing: Someone is sending a message.

As she digs into his past, Emma discovers that the unfortunate spy had been investigating two Russian oligarchs based in London. He’d become obsessed with the idea that the two were spies, aided by a third man—whose identity he had yet to uncover. When he shared his findings within MI6 in the weeks before he died, the response came back fast and clear: Drop the investigation and move on. Had he uncovered a secret that cost him his life?

To pick up where he left off without ending up in a suitcase of her own, Emma goes undercover on one of the oligarch’s million-dollar yachts, scheduled to set sail from the Côte d’Azur to Monaco. Under other circumstances, this would be a dream vacation. But if Emma’s real identity gets discovered, it’s a death sentence.

As Emma’s work reveals secrets she’d be safer not knowing, the danger ratchets up. The killer may be closer to home than any of them imagined, and Emma won’t be safe until he—or she—is caught.

Right after the sudden death of her mother—her first and most devoted fan—and just before the launch of her high-stakes sophomore album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing, her career suddenly in jeopardy—the kind of jeopardy her father, Conrad, has always predicted; the kind he warned her about when he urged her to make more practical choices with her life.

Months later, Greta—still heartbroken and very much adrift—reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian, onboard to lecture about The Call of the Wild, who is struggling with a major upheaval in his own life. As Greta works to build back her confidence and Ben confronts an uncertain future, they find themselves drawn to and relying on each other.

It’s here in this unlikeliest of places—at sea, far from the packed city venues where she usually plays and surrounded by the stunning scenery of Alaska—Greta will finally confront the choices she’s made, the heartbreak she’s suffered, and the family hurts that run deep. In the end, she’ll have to decide what her path forward might look like—and how to find her voice again.

There’s a madwoman upstairs, and only Megan Weiler can see her.

Ravaged and sore from giving birth to her first child, Megan is mostly raising her newborn alone while her husband travels for work. Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation – a thesis on mid-century children’s literature.

Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown – author of the beloved classic Goodnight Moon – whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle – and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.