Fiction

In the midst of a sizzling hot summer, some of Hollywood’s most notorious faces are assembled on the idyllic Caribbean island of St. Genesius to film The Siren, starring dangerously handsome megastar Cole Power playing opposite his ex-wife, Stella Rivers. The surefire blockbuster promises to entice audiences with its sultry storyline and intimately connected cast.

Three very different women arrive on set, each with her own motive. Stella, an infamously unstable actress, is struggling to reclaim the career she lost in the wake of multiple, very public breakdowns. Taylor, a fledgling producer, is anxious to work on a film she hopes will turn her career around after her last job ended in scandal. And Felicity, Stella’s mysterious new assistant, harbors designs of her own that threaten to upend everyone’s plans.

With a hurricane brewing offshore, each woman finds herself trapped on the island, united against a common enemy. But as deceptions come to light, misplaced trust may prove more perilous than the storm itself.

It’s 1958 and Evelyn Elizabeth Grace Murphy has not left the Pinnacle Hotel in fourteen months. She suffers from agoraphobia, and what’s more, it’s her father’s hotel, and everything she needs is there. Evelyn’s always been good at finding things, she discovered her mother dead in a Manhattan alleyway fifteen years earlier. Now she’s finding trouble inside her sanctuary. At a party for artist Billie Bell, his newest work is stolen, and Evelyn’s fake boyfriend (and real best friend), movie star Henry Fox, is accused of the theft. But just as Evelyn sets out to prove Henry’s innocence, she finds Billie Bell dead.

The murder weapon links the crime to the hotel’s chief of security. But why would he use a knife with his initials on the handle? With her beloved home in disarray, Evelyn joins up with hotel employee (and her secret crush) Mac Cooper to get to the bottom of the case.

As Mac picks locks and Evelyn snoops around the hotel, they discover the walls around them contain more secrets than they previously knew. Now, Evelyn must force herself to leave the hotel to follow the clues—but when she and Mac set off to chase a lead, their car crashes and they barely escape with their lives. Someone snipped Evelyn’s brake lines, and now the stakes have become dangerously high.

Evelyn’s knack for sleuthing—and her playful imagination—are always hard at work, and she throws an elaborate party at the hotel where every guest is a suspect. But will the killer emerge from the glamorous lineup? If not, Evelyn just might find herself…next in line for murder.

Tossed back into the not-so-familiar fairy-tale world of Never After, Filomena Jefferson-Cho and her friends set off on another adventure . . . this time in search of Cinderella’s glass slipper. Or rather, glass slippers.

It turns out the classic story of Cinderella is full of lies–starting with how Cinderella herself is far from the innocent heroine everyone thinks she is. She is manipulative and cunning–willing to do anything to be the princess of Eastphalia. The real heroines of her story are her “wicked” stepsisters, Hortense and Beatrice, who aren’t actually wicked at all!

With the help of the dashing Jack Stalker, adorable Alastair, and glamorous Gretel, Filomena must track down the slippers, which may be the key to a certain mysterious prophecy . . . And when Filomena and Beatrice get tossed into the Beast’s dungeon, all hope seems to be lost. Will the conniving Cinderella shatter everyone’s hopes for a true un-twisted ending? Or will Filomena and her friends secure the happily ever after Cinderella’s stepsisters deserve?

This edition of Robert Louis Stevenson’s classic novel features a suede-like custom cover with beautiful metallic foiling and a ribbon marker.

After taking an elixir created in his laboratory, mild mannered Dr Jekyll is transformed into the cruel and despicable Mr Hyde. Although seemingly harmless at first, things soon descend into chaos and Jekyll quickly realises there is only one way to stop Hyde. Stevenson’s quintessential novella of the Victorian era epitomizes the conflict between psychology, science and religious morality, but is fundamentally a triumphant study of the duality of human nature.