Fiction

Audrey Zhou left Hickory Grove, the tiny central Illinois town where she grew up, as soon as high school ended, and she never looked back. She moved to New York City and became the person she always wanted to be, complete with a high-paying, high-pressure job and a seemingly faultless fiancé. But if she and Manhattan-bred Ben are to build a life together, in the dream home his parents will surely pay for, Audrey can no longer hide him, or the person she’s become, from those she left behind.

But returning to Hickory Grove is . . . complicated. Audrey’s relationship with her parents has been soured by years of her mother’s astronomical expectations and slights. The friends she’s shirked for bigger dreams have stayed behind and started families. And then there’s Kyle, the easygoing stoner and her unrequited crush from high school that she finds herself drawn to again. Ben might be a perfect fit for New Audrey, but Kyle was always the only one who truly understood her growing up, and being around him again after all these years has Old Audrey bubbling up to the surface.

Over the course of one disastrous week, Audrey’s proximity to her family and to Kyle forces her to confront the past and reexamine her fraught connection to her roots before she undoes everything she’s worked toward and everything she’s imagined for herself. But is that life really the one she wants?

I don’t want to tell you what happened. I want to tell you how it felt.

Cassandra Williams is twelve; her little brother, Wayne, is seven. One day, when they’re alone together, there is an accident and Wayne is lost forever. His body is never recovered. The missing boy cleaves the family with doubt. Their father leaves, starts another family elsewhere. But their mother can’t give up hope and launches an organization dedicated to missing children.

As C grows older, she sees her brother everywhere: in bistros, airplane aisles, subway cars. Here is her brother’s face, the light in his eyes, the way he seems to recognize her, too. But it can’t be, of course. Or can it? Then one day, in another accident, C meets a man both mysterious and familiar, a man who is also searching for someone and for his own place in the world. His name is Wayne.

Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. The Furrows is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost.

This gorgeous collection features four Puffin in Bloom classics with illustrated covers by Anna Bond in a charming keepsake box designed in her signature style. Box includes: Anne of Green Gables, Heidi, Little Women, and A Little Princess

A footstep on the stairs. A second to react. What happens next will determine everything.

Home alone with her young children during a blizzard, a mother tucks her son back into bed in the middle of the night. She hears a noise—old houses are always making some kind of noise. But this sound is disturbingly familiar: it’s the tread of footsteps, unusually heavy and slow, coming up the stairs.

She sees the figure of a man appear down the hallway, shrouded in the shadows. Terrified, she quietly wakes her children and hustles them into the oldest part of the house, a tiny, secret room concealed behind a wall. There they hide as the man searches for them, trying to tempt the children out with promises and scare the mother into surrender.

In the suffocating darkness, the mother struggles to remain calm, to plan. Should she search for a weapon or attempt escape? But then she catches another glimpse of him. That face. That voice. And at once she knows her situation is even more dire than she’d feared, because she knows exactly who he is—and what he wants.

Her husband’s cheating on her. She hates Boca. Sylvia is mad and she isn’t going to take it anymore. She’s moving back north, to the city of her dreams—with her best friend, Evie, in tow. Think a screwball comedy featuring a sophisticated Thelma and Louise with martinis in hand . . .

When sixty-three-year-old Sylvia finds her husband in bed with the floozy of their Boca retirement community, she’s shocked and furious . . . at first. By the time her head stops spinning, Sylvia realizes that actually, this isn’t what she wants anymore anyway.

So she enlists her best friend, the glamorous older widow Evie, to join her in setting up a new life in Manhattan. Sylvia’s ex-husband may have lost her life savings, but Sylvia and Evie are scrappy and determined, unopposed to pawning jewelry and roughing it in tiny apartments. And before long, Sylvia signs on to revive her decades-old wedding planning business with a former professional rival. Sylvia has a lot to prove, and beneath it all, she can’t help but wonder: Will she ever be able to get back into the dating game?

Sylvia doesn’t want to be twenty-five or thirty again. Her age gives her wisdom, experience, and perspective. A career, sex, fun, and a new romance—her entire second act is stretched out in front of her, beckoning to her. It’s her time, and watch out, world, Sylvia is coming!

For The Penguin Book of Murder Mysteries, writer and anthologist Michael Sims did not summon the usual suspects. He sought the unfamiliar, the unjustly forgotten, and little-known gems by writers from outside the genre. This historical tour of one of our most popular literary categories includes stories never before reprinted, features rebellious early “lady detectives,” and spotlights former stars of the crime field—Austrian novelist Auguste Groner and prolific American Geraldine Bonner among them. For twenty-first century connoisseurs of crime, The Penguin Book of Murder Mysteries celebrates how the nineteenth century added a fierce modern twist to the ancient theme of bloody murder.