Fiction

Lyla has always believed that life is a game she is destined to win, but her husband, Graham, takes the game to dangerous levels. The wealthy couple invites self-made success stories to live in their guesthouse and then conspires to ruin their lives. After all, there is nothing worse than a bootstrapper.

Demi has always felt like the odds were stacked against her. At the end of her rope, she seizes a risky opportunity to take over another person’s life and unwittingly becomes the subject of the upstairs couple’s wicked entertainment. But Demi has been struggling forever, and she’s not about to go down without a fight.

In a twist that neither woman sees coming, the game quickly devolves into chaos and rockets toward an explosive conclusion.

Because every good rich person knows: in money and in life, it’s winner takes all. Even if you have to leave a few bodies behind.

In this heartrending, lyrical debut work of fiction, the acclaimed author of If They Come for Us traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of their parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her “crybaby” younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.

As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency that she’s known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in one another.

Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological well-being, fall below 10 percent. Then they retire themselves, embarking on a ferry ride to the island known as the Nursery, where their failing bodies are renewed, their memories are wiped clean, and they are readied to restart life afresh.

Proctor Bennett, of the Department of Social Contracts, has a satisfying career as a ferryman, gently shepherding people through the retirement process—and, when necessary, enforcing it. But all is not well with Proctor. For one thing, he’s been dreaming—which is supposed to be impossible in Prospera. For another, his monitor percentage has begun to drop alarmingly fast. And then comes the day he is summoned to retire his own father, who gives him a disturbing and cryptic message before being wrestled onto the ferry.

Meanwhile, something is stirring. The Support Staff, ordinary men and women who provide the labor to keep Prospera running, have begun to question their place in the social order. Unrest is building, and there are rumors spreading of a resistance group—known as “Arrivalists”—who may be fomenting revolution.

Soon Proctor finds himself questioning everything he once believed, entangled with a much bigger cause than he realized—and on a desperate mission to uncover the truth.

Look what you started.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women in particular. Laura is the troubled one-night stand last seen in the victim’s home. Carla is the grief-stricken aunt, already mourning another family member who died only weeks earlier. And Miriam is the nosy neighbor who found the bloodied body but is keeping secrets from the police. Three women, mostly unknown to one another, with separate connections to the victim. Three women who are—for different reasons—simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. When it comes to revenge, even good people might be capable of terrible deeds. How far might any one of them go to find peace? How long can secrets smolder before they explode into flame?

Since I was a child I had been searching for a place where I could just be me. It wasn’t at home in Kenya with Mother. Then I came to a foreign land, which I loved, but I was still a stranger. I was different, even to the people with whom I shared a skin color and hair texture. I worried I would never find the place where I belonged.

Soila is a lucky girl by anyone’s estimation. Raised by her stern, conservative mother and a chorus of aunts, she has lived a life of privilege in Nairobi. Soila is headstrong and outspoken, and she chafes against her mother’s strict rules. After a harrowing assault by a trusted family friend, she flees to New York for college, vowing never to return home.

New York in the 1990s is not what she imagined it would be. Instead of a golden land of opportunity, Soila finds herself shocked by the entitlement of her wealthy American classmates and the poverty she sees in the streets. She befriends a Black American girl at school and witnesses the insidious acts of racism her friend endures, forcing Soila to begin to acknowledge the legacy of slavery and the blind spots afforded by the privilege of her Kenyan upbringing. When she falls in love with a free-spirited artist, a man her mother would never approve of, she must decide whether to honor her Kenyan identity and what she owes to her family, or to follow her heart and forge a life of her own design.

Lucky Girl is a fierce and tender debut about the lives and loves we choose–what it meant to be an African immigrant in America at the turn of the millennium, and how a young woman finds a place for herself in the world.