Fiction

Two wolf shifters agree to be fake mates but unexpectedly find something real in this steamy paranormal romantic comedy by Lana Ferguson.

Mackenzie Carter has had some very bad dates lately. Model train experts, mansplainers, guys weirdly obsessed with her tail—she hasn’t had a successful date in months. Only a year out of residency, her grandmother’s obsession with Mackenzie finding the perfect mate to settle down with threatens to drive Mackenzie barking mad. Out of options, it feels like a small thing to tell her grandmother that she’s met someone. That is, until she blurts out the name of the first man she sees and the last man she would ever date: Noah Taylor, the big bad wolf of Denver General.

Noah Taylor, interventional cardiologist and all around grump, has spent his entire life hiding what he is. With outdated stigmas surrounding unmated alphas that have people wondering if they still howl at the moon, Noah has been careful to keep his designation under wraps. It’s worked for years, until an anonymous tip has everything coming to light. Noah is left with two options: come clean to the board and risk his career—or find himself a mate. The chatty, overly friendly ER doctor asking him to be her fake boyfriend on the same day he’s called to meet the board has to be kismet, right?

Mackenzie will keep her grandmother off her back, and Noah will get a chance to prove he can continue to work without a real mate—a mutually beneficial business transaction, they both rationalize. But when the fake-mate act turns into a very real friends-with-benefits arrangement, lines start to blur, and they quickly realize love is a whole different kind of animal.

THE RULES
1. Listen carefully
2. Do your research
3. Trust no one
4. Run for your life

Harriet Reed, a novelist on the brink of literary stardom, is newly engaged to Edward Holbeck, the heir of an extremely powerful family. And even though Edward has long tried to severe ties with them, news of the couple’s upcoming marital bliss has the Holbecks inching back into their lives.

As Harriet is drawn into their lavish world, the family seems perfectly welcoming. So when Edward’s father, Robert, hands Harriet a tape of a book he’s been working on, she is desperate to listen.

But as she presses play, it’s clear that this isn’t just a novel. It’s a confession.

A confession to a grisly crime. A murder. And, suddenly, the game is in motion.

Feeling isolated and confused, Harriet must work out if this is part of a plan to test her loyalty or something far darker. What is it that Robert sees in her? Why give her the power to destroy everything?

This might be a game to the Holbeck family—but losing could still prove deadly.

READY OR NOT, HERE THEY COME . . .

THE RULES
1. Listen carefully
2. Do your research
3. Trust no one
4. Run for your life

It’s the holiday season and Harriet Reed, a novelist on the brink of literary stardom, is newly engaged to Edward Holbeck, the heir of an extremely powerful family. And even though Edward has long tried to sever ties with them, news of the couple’s upcoming marital bliss has the Holbecks inching back into their lives with one invite after another.

As Harriet is drawn into their lavish world, the family seems perfectly welcoming . . . even if some of their traditions, like a “Christmas demon” called Krampus, seem creepy at best. So when Edward’s father, Robert, hands Harriet a tape of a book he’s been working on, she is desperate to listen.

But as she presses play, it’s clear that this isn’t just a novel. It’s a confession.

A confession to a grisly crime. A murder. And, suddenly, the game is in motion.

Feeling isolated and confused, Harriet must work out if this is part of a plan to test her loyalty or something far darker. What is it that Robert sees in her? Why give her the power to destroy everything?

This might be a game to the Holbeck family—but losing could still prove deadly.

READY OR NOT, HERE THEY COME . . .

Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological well-being, fall below 10 percent. Then they retire themselves, embarking on a ferry ride to the island known as the Nursery, where their failing bodies are renewed, their memories are wiped clean, and they are readied to restart life afresh.

Proctor Bennett, of the Department of Social Contracts, has a satisfying career as a ferryman, gently shepherding people through the retirement process—and, when necessary, enforcing it. But all is not well with Proctor. For one thing, he’s been dreaming—which is supposed to be impossible in Prospera. For another, his monitor percentage has begun to drop alarmingly fast. And then comes the day he is summoned to retire his own father, who gives him a disturbing and cryptic message before being wrestled onto the ferry.

Meanwhile, something is stirring. The Support Staff, ordinary men and women who provide the labor to keep Prospera running, have begun to question their place in the social order. Unrest is building, and there are rumors spreading of a resistance group—known as “Arrivalists”—who may be fomenting revolution.

Soon Proctor finds himself questioning everything he once believed, entangled with a much bigger cause than he realized—and on a desperate mission to uncover the truth.

After twenty years of marriage, Rami discovers that her husband has been living a double–or rather, a quintuple–life. Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband’s duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women–as well as an additional lover–according to polygamist custom, the rival lovers join together to declare their voices and demand their rights.

In this brilliantly funny and feverishly scathing critique, a major work from Mozambique’s first published female novelist, Paulina Chiziane explores her country’s traditional culture, its values and hypocrisy, and the subjection of women the world over.