Fiction

The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender: In “Bridesmaid, Revisited,” Marlee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In “Twist and Shout,” Erica’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In “Turn Back, Turn Back,” a bedtime story coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in “561,” Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home. (“It’s like you’re North Korea and South Korea . . . But would North Korea help South Korea move?”)

Katherine Heiny, one of our most celebrated writers, our bard of waking up in the wrong bed, wearing the wrong shoes, running late for the wrong job, but loved by the right people, has delivered a collection of glorious humour and immense kindness.

A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy.

It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy’s weak link.

But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.

One woman’s trash is another woman’s treasure.

A woman with high standards. A rival coworker. And the promotion that stands between them . . .
Coder Marina Spicer has no time to waste when it comes to love, hence her long list of dealbreakers. Frustrated by the online dating world, she created Dealbreakers, an anonymous app where women review how men stack up to their internet profiles. Her high standards have served her well at work, so why not in love?

Enter Lucas Kennedy. A charming Irish content writer, he’s the only one standing between Marina and her long-deserved promotion. Much to Marina’s chagrin, the two are paired on a project to test out date ideas, ultimately determining which of them will run the department. Taking a peek at Dealbreakers hoping to learn some dirt about her rival, she finds he’s the worst-rated man on the entire app.

As Lucas and Marina argue their way through mixing cocktails, salsa dancing, and throwing axes, Marina finds herself having more fun than she’s had in years. So when temptation becomes too strong to resist, Marina allows herself to break some of her own rules. After all, if the Dealbreakers say he’s Mr. Wrong, he can’t possibly be Mr. Right . . . can he?

When shy Miss Eliza Balfour married the austere Earl of Somerset, twenty years her senior, it was the match of the season–no matter that he was not the husband Eliza wanted.

Now, ten years later, Eliza is widowed. Suddenly, she is left titled, rich, and, for the first time in her life, utterly in control of her own future. She’s always lived by society’s conventions, but now, Eliza has resolved to do as she wants. And what she wants is to head to Bath with her cousin Margaret, pursue painting, learn to drive, and flirt with Bath’s most alluring new resident, the infamous Lord Melville.

But when the ripples of Eliza’s behavior reach her late husband’s nephew—who broke Eliza’s heart, years ago–Eliza will learn that freedom does not come without consequences. The only way to ensure she can keep her fortune is to avoid all scandal—but where’s the fun in that?

With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters—born to the same father but different mothers—struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time.

While Momoko, their father’s first child—haunted by the loss of her kamikaze boyfriend and their final, disturbing days together—seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family, and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan’s greatest writers.