Fiction

Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter’s life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists’ models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death.

Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City’s most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica’s financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.

For Tabitha Walker, her grandmother’s old adage, “Black girls must die exhausted” is becoming all too true. Discovering she’s pregnant – after she was told she may not be able to have biological children – Tabitha throws herself headfirst into the world of “single mothers by choice.” Between her job, doctor’s appointments, and preparing for the baby, she’s worn out. And that’s before her boss at the local news station starts getting complaints from viewers about Tabitha’s natural hair.

When an unexpected turn of events draws Marc – her on and off-again ex-boyfriend – back into her world with surprising demands, and the situation at work begins to threaten her livelihood and her identity, Tabitha must make some tough decisions about her and her baby’s future. It takes a village to raise a child, and Tabitha turns to the women who have always been there for her.

Bolstered by the fierce support of Ms. Gretchen, her grandmother’s best friend, the counsel of her closest friends Laila and Alexis, and the calming presence of her doula Andouele, Tabitha must find a way to navigate motherhood on her own terms. Will she harness the bravery, strength, and self-love she’ll need to keep “the village” together, find her voice at work, and settle things with Marc before the baby arrives?

It’s been five years since the Biafran War ended. Ify is now nineteen and living where she’s always dreamed–the Space Colonies. She is a respected, high-ranking medical officer and has dedicated her life to helping refugees like herself rebuild in the Colonies.

Back in the still devastated Nigeria, Uzo, a young synth, is helping an aid worker, Xifeng, recover images and details of the war held in the technology of destroyed androids. Uzo, Xifeng, and the rest of their team are working to preserve memories of the many lives lost, despite the government’s best efforts to eradicate any signs that the war ever happened.

Though they are working toward common goals of helping those who suffered, Ify and Uzo are worlds apart. But when a mysterious virus breaks out among the children in the Space Colonies, their paths collide. Ify makes it her mission to figure out what’s causing the deadly disease. And doing so means going back to the homeland she thought she’d left behind forever.

Born just ten months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior–until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls’ past and future.

Written with radically inventive language and imagery by an author whose work has been described as “entrancing” (The New Yorker), “a force of nature” (The New York Times Book Review), and “weird and wild and wonderfully unsettling” (Celeste Ng), Sisters is a one-two punch of wild fury and heartache–a taut, powerful, and deeply moving account of sibling love and what happens when two sisters must face each other’s darkest impulses.

Newly minted professional matchmaker Sophie Go has returned to Toronto, her hometown, after spending three years in Shanghai. Her job is made quite difficult, however, when she is revealed as a fraud—she never actually graduated from matchmaking school. In a competitive market like Toronto, no one wants to take a chance on an inexperienced and unaccredited matchmaker, and soon Sophie becomes an outcast.

In dire search of clients, Sophie stumbles upon a secret club within her condo complex: the Old Ducks, seven septuagenarian Chinese bachelors who never found love. Somehow, she convinces them to hire her, but her matchmaking skills are put to the test as she learns the depths of loneliness, heartbreak, and love by attempting to make the hardest matches of her life.

For the inhabitants of London Lane, a simple slip of paper underneath each of their doors is about to change their lives in a hundred different ways.

URGENT!!! Due to the current situation, building management has decided to impose a seven-day quarantine on all apartment buildings on London Lane.

With nowhere else to go . . .

Ethan and Charlotte wonder whether absence really does make the heart grow fonder when they end up on either side of a locked door.

A fierce debate over pineapple on pizza ignites a series of revelations about Zach and Serena’s four-year relationship.

Liv realizes rolling with the punches is sometimes much harder than it looks after her bridesmaids’ party goes off the rails, leaving the group at each other’s throats.

Isla and Danny’s new romance is put to the test as they jump ten steps ahead on the relationship timeline.

And Imogen and Nate’s one-night stand is about to get six do-overs they never really asked for–not awkward at all.

Through make ups, breakups, love-ins, and blowouts, friendships are tested as everyone scrambles to make it through the week unscathed. Amidst all the drama, one thing remains constant: life is full of surprises.

Discovering a body on her property presents Lady Abigail Worthing with more than one pressing problem. The victim is Juliet, the wife of her neighbor, Stapleton Henderson. Although Abigail has little connection with the lady in question, she expects to be under suspicion. Abigail’s skin color and her mother’s notorious past have earned her a certain reputation among the ton, and no amount of wealth or status will eclipse it.

Abigail can’t divulge that she was attending a secret pro-abolition meeting at the time of the murder. To her surprise, Henderson offers her an alibi. Though he and Juliet were long estranged, and she had a string of lovers, he feels a certain loyalty to his late wife. Perhaps together, he and Abigail can learn the truth.

Abigail, whose marriage to Lord Worthing was not a love match, knows well how appearances can deceive. For all its surface elegance, London’s high society can be treacherous. Yet who in their circle would have killed Juliet, and why? Taking the reins of her life in a way she never has before, Abby intends to find out—but in the process she will uncover more danger than she ever imagined . . .