In the 1980s in Lagos, the government’s War Against Indiscipline and austerity measures are in full swing. A succession of unfortunate events leads Tolani, a bank secretary, to be persuaded by her roommate Rose to consider drug trafficking as a way to make a living. Tolani’s subsequent struggle with temptation forces her to reconsider her morality—and that of her mother Arike’s—as she embarks on a turbulent journey of self-discovery.
In 1840, the lives of former lovers’ Ẹfúnṣetán and Efunporonye take divergent paths amid personal and social turmoil. Ẹfúnṣetán faces trial for murder in Ibadan, while Efunporonye copes with loss and business struggles in Abeokuta, seeking solace in a new lover.
Meanwhile, Yoruba kingdoms brace for internal and external conflict, with feudal chiefs, warlords, and colonial forces vying for power. Ẹfúnṣetán’s brother, Kúmúyǐló, and his companions journey to England, encountering magic and racism. Atoke, Ẹfúnṣetán’s cousin, delves into wartime espionage with magical herbs. Despite their divergent paths, their journeys intersect in the crucible of war, fostering new alliances and testing their character.
Swallow Book two chronicles the birth of a new world amidst chaos, highlighting the resilience of women and warriors in the face of war, witchery, love, and loss.
It is the early 1830’s, the countries of the global north are mired in internecine wars and poverty. The British Empire has set themselves up as the world power through the trans-atlantic slave trade and has started its long-term goal of sequestering and colonising the West Coast of Africa ahead of Germany and France. In their designs for Oduduwa nations, independent city-states in the south-west, they had factored in greed and the use of force, but what they hadn’t bargained for was resistance from the powerful women living in these areas.
These women with intertwined lives will learn of love and betrayal in the fight for survival. Efunsetan Aniwura fights to keep her family’s power. Efunporonye craves a place for herself in a world that is unforgiving to timid women. In trying to make their mark in a society dominated by men and their wars, these women will rise up against the incursions of The British Empire.
Swallow is a vivid reimagining of ancient Yoruba history that tells a sweeping tale of tradition and culture, family, legacy and love.
It is the early 1830’s, the countries of the global north are mired in internecine wars and poverty. The British Empire has set themselves up as the world power through the trans-atlantic slave trade and has started its long-term goal of sequestering and colonising the West Coast of Africa ahead of Germany and France. In their designs for Oduduwa nations, independent city-states in the south-west, they had factored in greed and the use of force, but what they hadn’t bargained for was resistance from the powerful women living in these areas.
These women with intertwined lives will learn of love and betrayal in the fight for survival. Efunsetan Aniwura fights to keep her family’s power. Efunporonye craves a place for herself in a world that is unforgiving to timid women. In trying to make their mark in a society dominated by men and their wars, these women will rise up against the incursions of The British Empire. Swallow is a vivid reimagining of ancient Yoruba history that tells a sweeping tale of tradition and culture, family, legacy and love.
Now: On the verge of marriage and a fresh start, thirty-eight year old Charlie Lewis finds that he can’t stop thinking about the past, and the events of one particular summer.
Then: Sixteen-year-old Charlie Lewis is the kind of boy you don’t remember in the school photograph. He’s failing his classes. At home he looks after his depressed father—when surely it should be the other way round—and if he thinks about the future at all, it is with a kind of dread.
But when Fran Fisher bursts into his life and despite himself, Charlie begins to hope.
In order to spend time with Fran, Charlie must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling: The price of hope, it seems, is Shakespeare, Romeo and Juliet learned and performed in a theater troupe over the course of a summer.
Now: Charlie can’t go the altar without coming to terms with his relationship with Fran, his friends, and his former self. Poignant, funny, enchanting, devastating, Sweet Sorrow is a tragicomedy about the rocky path to adulthood and the confusion of family life, a celebration of the reviving power of friendship and that brief, searing explosion of first love that can only be looked at directly after it has burned out.
In the ten years since he left art school as a vaunted prodigy, Adrian Landry has won shows and major prizes—and done his best to shed his reputation as a pretty man who makes pretty paintings. Though currently sleeping off a bad breakup on his college roommate’s couch, Adrian knows he has the chance to get his life back on track—he just needs the money to find a new gallery.
When Adrian’s roommate lists him on a thinly veiled escort site, he finds Caroline, but she is not the patron he expected. She’s way too young, way too pretty, and completely uninterested in having sex with him. Instead, they’re both going to get exactly what they need: a little culture on her side, and a lot of cash on his. Aside from their sugar-baby arrangement, they’ve got nothing in common. But as they careen from the symphony to the Haymarket, they learn that what they want and what they need might be two very different things.
In the vibrant city-state of Castellane, the richest of nobles and the most debauched of criminals have one thing in common: the constant search for wealth, power, and the next hedonistic thrill.
Kel is an orphan, stolen from the life he knew to become the Sword Catcher—the body double of a royal heir, Prince Conor Aurelian. He and Conor are as close as brothers, but his destiny is to die for Conor. No other future is possible.
Lin Caster is a physician from a small community whose members still possess magical abilities. But despite her skills, she cannot heal her best friend without access to forbidden knowledge.
After a failed assassination attempt brings Lin and Kel together, they are drawn into the web of the mysterious Ragpicker King, the ruler of Castellane’s criminal underworld. But as long-kept secrets begin to unravel and forbidden attractions arise, they must ask themselves: Is knowledge worth the price of betrayal? And will their discoveries plunge their nation into war—and the world into chaos?
Her husband’s cheating on her. She hates Boca. Sylvia is mad and she isn’t going to take it anymore. She’s moving back north, to the city of her dreams—with her best friend, Evie, in tow. Think a screwball comedy featuring a sophisticated Thelma and Louise with martinis in hand . . .
When sixty-three-year-old Sylvia finds her husband in bed with the floozy of their Boca retirement community, she’s shocked and furious . . . at first. By the time her head stops spinning, Sylvia realizes that actually, this isn’t what she wants anymore anyway.
So she enlists her best friend, the glamorous older widow Evie, to join her in setting up a new life in Manhattan. Sylvia’s ex-husband may have lost her life savings, but Sylvia and Evie are scrappy and determined, unopposed to pawning jewelry and roughing it in tiny apartments. And before long, Sylvia signs on to revive her decades-old wedding planning business with a former professional rival. Sylvia has a lot to prove, and beneath it all, she can’t help but wonder: Will she ever be able to get back into the dating game?
Sylvia doesn’t want to be twenty-five or thirty again. Her age gives her wisdom, experience, and perspective. A career, sex, fun, and a new romance—her entire second act is stretched out in front of her, beckoning to her. It’s her time, and watch out, world, Sylvia is coming!
The day a stained brown envelope arrives from Taduno’s homeland, he knows that the time has come to return from exile. Arriving full of trepidation, the musician discovers that his community no longer recognises him, believing that Taduno is dead. His girlfriend Lela has disappeared, taken away by government agents. As he wanders through his house in search of clues, he realises that any traces of his old life have been erased. All that was left of his life and himself are memories. But Taduno finds a new purpose: to unravel the mystery of his lost life and to find his lost love. Through this search, he comes to face a difficult decision: to sing for love or to sing for his people. Taduno’s Song is a moving tale of sacrifice, love and courage.
Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies.
But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them.
Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten.
Because history repeats what we don’t remember.
Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption.
Tall Tales is a collection of short stories that cover a diverse spectrum of experiences with emphasis on dark humour and exaggerations. The stories are full of humour, and bubbly with unforgettable characters. The first three stories (Query, Jekyll and Hyde and Monthly Performance Review) are based on the experiences of a banker as he carries out his daily duties.
Electric Pole highlights the bizarre ways life is lived and lost in contemporary Nigeria. Chronic Hunger is about the irony of life through the eyes of a starving 13 year old. New Money paints a picture of a dysfunctional society that blindly lusts after wealth regardless of its source. Child Abuse details a typical day in the life of a house girl but with a twist in the end. Sanitation Day is a satire of sorts. People have become one with filth with disastrous consequences.
In The Dream, the protagonist has a vivid dream about an eccentric spinster and her mango tree. Just a Little Robbery is about three boys who decide to rob a mall, only for one of them to encounter unwanted consequences. In The lift, a young woman enters a car ride that rapidly becomes a life and death struggle with a lunatic. When John’s car broke down in an unknown terrain, the sight of one lonely house was more than welcome. However, he soon discovers that all is not as it seems in the Half Way House. In Weight Problems, things go from bad to worse for an obese lady keen on suicide. Farewell Party is set in the far future, where perfection is everything and flaws are not allowed.
He needs a bride…
Nash, the “dangerous” Duke of Malvern, has always bristled against the rules of English society. Hot tempered and fearful of becoming like his brutish late father, he lives a life of too much responsibility and too little joy. And although he’s vowed to never marry, a duke has a duty—and there’s only one way to get himself an heir and a spare. So Nash reluctantly takes a look around at society’s available young ladies to see who might be willing to put up with his one-word answers and frequent glowers.
She longs for love…
After the death of her father and wicked stepmother, Ana Maria goes from virtual servant to lady-in-training, and while society life has its benefits—gorgeous gowns!—its restrictive rules stifle her sprit. And when her independent actions put her in danger, her half-brother insists Nash teach her some self-defense. While most of London’s ladies find Nash intimidating, she only sees a man who needs introducing to all the joys life has to offer. So although officially they are coming together for fighting lessons, unofficially their physical contact begins to blur the line between friendship and begins to grown into something more…
John Clayton, Viscount Greystoke, is marooned on the west coast of Africa as an infant, and is adopted by a tribe of apes. A feral child, he matures into Tarzan, Lord of the Jungle, with the ability to climb, jump, and swing from vines, while maintaining flawless ethics and judgment whenever he is thrust back into the bonds of society. Edgar Rice Burroughs’s stories of this preternatural hero will inspire readers to examine their own morality and their relationship with the great outdoors.
Eight years ago, he fell in love with a stranger he couldn’t have—today, she’s back in his life and the sparks between them threaten to set her career on fire.
Pearl Harris has learned the hard way to be careful in work and in love. She has the chance to make lasting change at OurCode—a nonprofit aimed at inspiring high schoolers to code—but a recent scandal puts its reputation at risk. Further complicating things, Pearl didn’t expect the one man she never stopped thinking about to join as the newest member of her board of directors.
Cord Matthews fell for Pearl when they met in an elevator eight years ago. She’s just his type: smart, capable, and makes him laugh, but when she broke his heart, he decided love wasn’t for him. When they reconnect after years with no contact, Cord is tempted to consider breaking his ban on serious relationships. But going public with a romance between them might derail Pearl’s career and the progress she’s made at OurCode.
While Pearl and Cord are both hesitant to trust their feelings and take a risk, it soon becomes impossible to keep ignoring the electricity between them. Cord is a skilled programmer, but a workplace romance might spell disaster for both of them–and love isn’t easily debugged.
